From LP12 to where...?

Thanks for all the feedback, I guess that I would be better off finacially to invest in Linn Table frame or possibly build on in my shop. I have a dealer that doe an excellent job of setting these up. As a fact he has them sent to him across the country for his set up. I know that I can always have him do it, but I feel somewhat captive by that one stop scenerio. If I move or he quits I am where I don't want to be. I do love the sound and like that fact that the table can virtually be rebuilt time and time again. So I can probably learn to do it myself and get through that. But I have the problem ,that if I don't have a concrete floor, dealing with the skipping. I got some ideas here that I can look at. And one last note to mofi, I think I'll buy the McIntosh Turntable! Nanner nanner nanner nanner:)

There is absolutely NO mystery as to how to set up a Linn and it all comes down to either learning how to do it yourself (and learning something about both your table and yourself along the way, as well as saving some time and cash), or being eternally indebted to someone who may or may not really either know or care about what they're doing. Linn created this mystique to give their "dealers" something to do (and some $), as well as creating the doctrine of non-modification and the "if you touch this incorrectly it will be impaired forever" myth. C'mon, it's working on a turntable, not brain surgery...!....And, BTW, a good dealer would let you watch the entire process over his shoulder.

-Richard

PS - Everyone here is correct - for the money, there are many tables that will blow away a Linn. This coming from a (former) 10-year Linn owner.

I liked my LP12 Lingo a lot but gave it up after a misadventure with the wrong arm (Graham: too heavy) and the setup problems that resulted. Sort of wish I had kept my first LP12 Valhalla/SME IIIs/Shure V15 because it was great for what it cost, but goodness knows you just have to ;o) upgrade a Linn...

I got a Scheu Premier Mark II with a Scheu Cantus arm and an AT33PTG. I'm just getting the setup (VTA, VTF, overhang, loading etc.) dialed in but I can tell I'm going to love the new one as much as or more than the old. Setup is a snap!

I sold the Graham and my best cart, a Koetsu Rosewood Sig, to pay for this and other changes. I hope one day to get as good an arm and cart as the ones I sold, to fit on the Scheu, but right now, I'm very happy.

If you haven't given up hope on your LP12 you might want to consider contacting a Naim Audio dealer and discuss with them the great mod's that they offer for the Lp12. I switched from the Lingo and Ekos to Naim's Armegeddon power supply and Aro tonearm and found the improvements amazing. Combine that with a quality low-mass moving coil cartridge and enjoy.

I had an LP12 and liked the pleasant colored sound, but went with the VPI Scoutmaster and it is far more neutral, faster, more dynamic, far more interesting, and makes the Linn sounded very dated. I know there are a lot of Linnies who will disagree, but set up correctly, the Scoutmaster, Nordost wired JMW9 leave me not wanting any other table. The vinyl sounds so different from recording to recording, the Linn just always left its soundprint on everything. With the VPI, all seems right. The bass is so powerful, full of dynamic contrasts, each pluck of a bass guitar is detailed, the Linn leaves a blurr. The mids and highs are also equally detailed and realistic. If you want music, the VPI is the ticket. The Scout is OK, but the Scoutmaster is great. Jallen