Steam Cleaning - RCM or not?


I posted a couple of times yesterday about this over at AudioKarma, but thought I would ask here as well since Audiogon seems to be at the center of the steam cleaning information.

I tried steaming in earnest a few nights ago; I did an LP I've had for years that had had some minor mold on it, which I removed a long time ago with my RCM, but the spore pattern remained. It was gone in a minute with the steam, which I somewhat expected. What I didn't expect was how lifelike this 3rd pressing, orange-label Dynaflex LP suddenly sounded. Amazing!

My question is this; I'm really drawn to the idea of not using my 20+ year old RCM at all because of the noise, which I'm getting tired of hearing after all these years. I'd really like to be just steaming, lint-brushing with my home-made fluid I've been using a while, steaming again and wiping with a couple of microfiber cloths. That seems to work very well, except that I seem to be getting some gunk on my stylus now and again which may be lint from the cloths.

Is this a concern? I actually did this routine a couple of times to one side of an LP and then did the same thing but RCM'd and not microfibered the other side, and I would swear the non-RCM's side sounded slightly more real in each case. Sonically I'm completely okay with the cloths only, but am a little concerned about possible residue and whatever that is showing up on my needle—although my ears are telling me this is the way to go. Anybody else come to this conclusion?
vanmeter
How are you using the ME? I've never found anything that the ME won't get off.

The loss of airiness is most likely increased static that can be sometimes caused by vacuuming as others have already posted. I don't experience this with my rcm. Have you tried to restrict the airflow through the vacuum? Cutting down on the air velocity a little may help with this. Also a Zerostat or some other device used just before putting the lp down on the platter may help.
I have seen one stylus and cantilever (out of 15-20) so badly gunked up that even aggressive scrubbing with an ME wouldn't clean it.

To revive that cartridge I used ultra-fine sandpaper, Linn's old trick. That loosened the crud up, then the usual ME + dry brush finished the job.

It took months of play with no cleaning for the cartridge to get that stubbornly dirty, but it is possible.

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FWIW, our (steamless) LP cleaning regimen (slow, costly and with expensive RCM) "never" leaves anything in the grooves. I do sometimes find a trace of dry, loose fluff on the stylus at the end of a side, but since any given LP will sometimes leave a trace of fluff and sometimes not, it's presumably airborne fluff attracted by static during play.

Should there be any fluff buildup during play we hear the degradation of HF extension, speed and "air" near side-end. That might be what you're hearing, and if you don't de-static before play (as Dan_Ed correctly advised for its own sonic benefits) it's more likely to occur.

It's even more important to de-static and dry brush *after* play before returning the LP to its sleeve, else dust collection is pretty much guaranteed.
Doug is certainly the expert when it comes to using the ME. The technique I learned from him was to trim a piece into a taper, sort of like one of those foam paint brushes, and use the thin part just like a brush instead of a dipping motion, which I never use anymore. Think brushing paint on the sides of the stylus carefully from top to bottom. It does take a reasonably steady hand and good visibility. This method should have easily taken that gummy crud off, but you would probably have had to just cut away that hunk of junk.

Keep working this with the steam and rcm, I still believe it will work very well for you once you find the techniques that work in your environment.

Also, you mentioned using a home-made cleaning solution. What this is made of, and how and when you use it in relation to the steaming step can have an impact on results. I like the idea of using an alcohol, or some other suspension, based cleaner along with the steam. This I find to keep the crud in suspension so it can be vacuumed up immediately. What works for me is to steam and then apply an alcohol based cleaner (AIVS in my case) while the LP is still wet from steam. Others report better results by applying the cleaner before steaming.
I wish everyone the best, but some of you are reacting to challenges that have already met & resolved as far as to steam cleaning. It is a fact that RCM's have a place in steam cleaning , but that does not preclude the use of steam only. For instance, the VPI RCM's work well with steam cleaning. They suck off lots of loosened materal far quicker that a Loricraft. But that does not mean a Loricraft can not be admended to the process.

The situation , the materals , the record's condition all interact with the outcome. Don't underestimate the importance of the condition of the pressing at the time of manufacture , even which pressing machine used, contribute to what resolution we hear from a given LP. I do suggest a read of most of the initial steaming thread , until the flamers . Lots of FYI buried there.

As always take care when accepting advice. Your prudence can save one from falling into a black hole. A comment I liked was from a person that claimed steamers don't make steam but water vapor koz steam is not visable to the eye. So, when one sees vapor no steam is present. Perhaps, but in the big picture its the steam (unseen) immediately followed by vapors and heated water spray that combine to loosen the grunge. Using a record cleaning solution can make for a greater improvement depending on the materials pressed between the grove and the output pressure of the steamer. Besides the idea is to use the properties of steam and water to bring you closer to the groves and hopefully the music. All steam could blow a hole thru the LP, something that can not happen with consumer grade hand-held steaming units , less garmet steamers that pose a danger to the LP due the surface area they heat. RCM certianly can significantly improve the listening experience ; they are the ultimate sucking machines.

All the Best.