Dear Raul, You were once kind enough to post photos of your SP10 with "no plinth". As I recall it does sit in a piece of plywood, but it is supported underneath the chassis by some Audio Technica or similar compliant "feet". I always thought that this was the key to your satisfaction with that setup, rather than absence of a plinth per se. As for mounting the arm on a pod that is totally outboard from the chassis and not physically associated with it, I do think that is a bad idea. But to each his own; certainly a few tt-makers now do it that way too, altho I know of no vintage tts designed that way. In your earlier photos I got the impression that your tonearm is mounted on the plywood that also is forming a surround for your SP10, thereby creating a coupling of sorts between the two. I thought that was OK. Anyway, we can argue theory all day long. As you suggest, the proof of the pudding is in the listening. I still like slate; I think it's uniquely suited to this endeavor. I think slate is way better than some of the materials that have traditionally been used, e.g., wood, marble, granite.
SP10 Mk II vs Mk III
A couple of guys here were planning to do listening comparisons of the Technics SP10 Mk II vs the Mk III, in their own homes and systems. Has anyone actually completed such a comparison? I am wondering whether the "upgrade" to the Mk III is actually worth it in terms of audible differences between the two tables. Possibly mounting either table in a well done wooden or slate plinth mitigates any sonic differences that would otherwise be heard. I am thinking of Albert Porter and Mike Lavigne in particular, who were going to do the comparison. Thanks for any response.
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- 212 posts total
- 212 posts total