More convinced of analog than ever


Wednesday night I went to my local high end shop's "Music Matters" open house, which featured six meticulously set up listening rooms highlighting the best and brightest offerings from Wilson, Transparent, Audio Research, Ayre, Magnepan, Peachtree, B&W, Classe, Rotel, etc., with factory reps to introduce their products and innovations.

There were unmistakable improvements in reproduction of redbook CD, with jitter reduced to near zero, and holographic reproduction of images, soundstages, and the minute signals that indicate instrument resonance and hall ambience.

And yet... and yet... when the demos shifted from redbook to the new downloadable hi-rez digital formats in 24/88.2 and 24/96, there was an unmistakable jump in resolution around the edges of the notes, of sounds swelling, resonating, and decaying, of greater verisimilitude.

But compared to the turntable demos, I'd say the 24-bit digital got me about 80% there, whereas LP playback closed the gap completely. Once the LPs started spinning, there was a collective relaxed "aaaahhh" that went through the audience. It wasn't because of dynamic compression. Far from it, the Ayre prototype turntable was strikingly dynamic with a subterranean noise floor.

The sense of ease and relaxation I attribute to a sudden drop in listener fatigue. The LP-source music had so much more of what makes music musical. We didn't have to work nearly as hard to rectify the ear-brain connection as with even the best of 24-bit digital, which was still significantly better than redbook. The redbook playback always reminded me that I was listening to "hi-fi," even when played through multi-thousand dollar players from ARC and Ayre.

Even my local Brit-oriented Rega/Naim dealer asserts that the latest CD players rival or exceed LP playback.

I say nay.

What say you?
johnnyb53
I sure am glad when over 25 years ago my New York Audio Labs friends implored me; as the Digital Revolution was sweeping the streets and would be the death knell to analog; to "just buy records" instead of constantly upgrading my already nice system and blowing dollars in the process. I listened and ended up with over a 1,000 new lps of all types of music.

I am also sure glad to know that cd's after all these years are "finally maturing" and the revolution is finally coming to fruition. Took long enough for what was raved about back then. Kind of like Communism, and look where that is.

We are now in the era of diminishing expectations but ease of use. The criteria is not great sound but lots of availability, easy of use and cheap. It is no longer about substance but quantity (and I have gigabytes of MP3's that are great to hear).

With where the music business may be forced to go the "the beloved" CD may perish as well. Caveat emptor.

I hear my iPod, I hear my cd player,

but I listen to my records.

I am engaged.
It takes effort.
It is an art form. You get it or don't.
Want it or don't.
What you put in you get out.
True in all aspects of life.
Can't we all learn to share the same sandbox and play nicely together ? I love music.....some nights it's CD's, other nights it's LP's.....it's all great music through my system. Yes, I must admit that I'm presently spending more hours listening to records than I am listening to CD's, but I still really enjoy both parts of my front end.

I do not stress out over whether Patricia Barber sounds better on CD or Joni MItchell sounds better on LP.....They both sing beautifully through my Vandersteens and keep me quite happy. It's like with wine.....what's better, a great Pinot Noir or a great Cabernet ?? There's no need to argue about it.....done properly, both grapes can make a beautifully balanced wine which will make my palate happy.

So, let's all relax, and enjoy the music. Analog, digital, whatever.....done properly, isn't it simply the music that matters, after all ?
Geez, the OP posted an innocuous (though well scribed) little muse reflecting on his sonic preferences after visiting a retail shop, and all of a sudden he's a "snob", and turntables are valued more for their visual presentation. And, of course, vinyl, in some indefinite future-world, will be 'obsolete'. And this is the 'Analog' site?

Frankly, I've never felt the urge to trek over to 'Digital' and let 'em know what idiots and losers they are. But then, maybe that's just me.
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02-06-09: Tketcham
So how were the presentations? Anything new and interesting?
In addition to the things I already mentioned, the front end in the desktop Magnepan room was very interesting. They had an Apple Mac iTunes server and a NanoPod docked in a Wadia iPod docking station. Both of these fed a PeachTree Audio integrated amp to make use of its DAC (it accepts USB) and its line stage. From there the signal was sent out to several outboard power amps to drive the little Maggie panels and floorstanding woofer module.

It was a great way to demonstrate how good an iPod can sound when a specialty DAC does the decoding. The NanoPod was loaded with a combination of 256 Kbs and lossless AIFF files.

I was quite taken by the musicality and resolution of the PeachTree's DAC, and also its linestage. At $1195 the Peachtree is a little gem, especially for a digital-based or digi/analog system with an external phono stage. Very nice unit and I would highly recommend it for a small system where 50 to 80wpc would do.