Phew,
thanks for all the various inputs. Never expected THAT much feedback..
To clear up some items and also add some more thoughts.
1) I use a 30dB SUT (XF-1 type M, 1:31.6 xfactor) which is pretty much on the high side for a 0.3 mV cart as is the PW.
2) So far PRIMARY loading gave the best result, it is VERY much different to SECONDARY loading, which I have also tried.
I don't want to go into the detail now, but believe it or not 13 ohms! seems just about a perfect impedance match.
3) With no SUT the loading is anywhere from 500ohm to 47kohm and VERY phono-pre dependent
4) Back to inner groove distortion:
a) The PW allows azimuth alignment 1-3 degree, due to 3 point support. This I long checked with a mirror (as mentioned) it looks fine.
b) the SME's (all of them) come with a SME type overhang adjustment tool --- it appears VERY sensitive and (at least to SME) as accurate, or more, then most any other method.
c) the head-shell is fixed and has a 22 deg. off-set angle (no slotted screw holes) so all seems fine, or?
d) I wish I could have had some better experience with Ortofon. The PW came about due to a Jubilee exchange, a side-wall of the Jubilee splitting open AND a badly misaligned cantilever. The PW seems to be OK regards the housing (new design) BUT has an issue by VERY 'low riding' AND the new 3 point housing needing exceptionaly much higher arm adjustment (the two rear point are to high for the one in front). This makes for a VERY limited VTA adjustment range, with the rear body (tail-end) easily touching the vinyl, when it has a lip (start grooves) or with slightly warped vinyl.
e) Now, using a different cart, Lyra Dorian on 9c Project arm with RPM9 AND LP12 alignment, Baerwald paper alignment tools, etc. ALSO gave me inner groove distortion! --- also with a different phono-pre (PS Audio GCPH).
f) this may help to explain my mentioning Herr Albert Einstein's bit on doing the same thing over and over -- expecting different results :-)
g) As the cart goes it appears to be just riding too low -- when my 3 times repared Jubilee came back from Ortofon, it also sported a higher ride-hight than originaly supplied. Maybe my PW could do with some of that too? But I am sick an tired of Ortofon to be honest.
h) having also tried a Dynavector DV 20X-L, higher compliance than PW and less heavy, I could still make out some but less distortion. Did not fiddle too much with it as it only was a quick test, and this cart is no where near as good/neutral/resolved/etc. etc. as the PW
Maybe it's just all my vinyl...? New Alison Krauss & Union Station "so long so wrong" has ALSO distortion e.g. side two last band --- much too sibilant.
So there you go...
Thank you for careing and greetings
Axel
thanks for all the various inputs. Never expected THAT much feedback..
To clear up some items and also add some more thoughts.
1) I use a 30dB SUT (XF-1 type M, 1:31.6 xfactor) which is pretty much on the high side for a 0.3 mV cart as is the PW.
2) So far PRIMARY loading gave the best result, it is VERY much different to SECONDARY loading, which I have also tried.
I don't want to go into the detail now, but believe it or not 13 ohms! seems just about a perfect impedance match.
3) With no SUT the loading is anywhere from 500ohm to 47kohm and VERY phono-pre dependent
4) Back to inner groove distortion:
a) The PW allows azimuth alignment 1-3 degree, due to 3 point support. This I long checked with a mirror (as mentioned) it looks fine.
b) the SME's (all of them) come with a SME type overhang adjustment tool --- it appears VERY sensitive and (at least to SME) as accurate, or more, then most any other method.
c) the head-shell is fixed and has a 22 deg. off-set angle (no slotted screw holes) so all seems fine, or?
d) I wish I could have had some better experience with Ortofon. The PW came about due to a Jubilee exchange, a side-wall of the Jubilee splitting open AND a badly misaligned cantilever. The PW seems to be OK regards the housing (new design) BUT has an issue by VERY 'low riding' AND the new 3 point housing needing exceptionaly much higher arm adjustment (the two rear point are to high for the one in front). This makes for a VERY limited VTA adjustment range, with the rear body (tail-end) easily touching the vinyl, when it has a lip (start grooves) or with slightly warped vinyl.
e) Now, using a different cart, Lyra Dorian on 9c Project arm with RPM9 AND LP12 alignment, Baerwald paper alignment tools, etc. ALSO gave me inner groove distortion! --- also with a different phono-pre (PS Audio GCPH).
f) this may help to explain my mentioning Herr Albert Einstein's bit on doing the same thing over and over -- expecting different results :-)
g) As the cart goes it appears to be just riding too low -- when my 3 times repared Jubilee came back from Ortofon, it also sported a higher ride-hight than originaly supplied. Maybe my PW could do with some of that too? But I am sick an tired of Ortofon to be honest.
h) having also tried a Dynavector DV 20X-L, higher compliance than PW and less heavy, I could still make out some but less distortion. Did not fiddle too much with it as it only was a quick test, and this cart is no where near as good/neutral/resolved/etc. etc. as the PW
Maybe it's just all my vinyl...? New Alison Krauss & Union Station "so long so wrong" has ALSO distortion e.g. side two last band --- much too sibilant.
So there you go...
Thank you for careing and greetings
Axel