I seek your guidance - re turntable


You Audiogoners were a great help a few months ago, when I was getting back into music reproduction after many years of doing other things. Thanks to Audiogon, I've set up a system of Acoustic Zen Adagio speakers, Odyssey dual mono amp, BAT preamp, Perpetual Technologies dac. My intent was - and still is - to play most of my music on my Imac, and that is working fine. But, I still have a record collection from the 1970's and 1980's, and I do like the sound of good vinyl.

So I had this 30+ year old Technics turntable, and was using that. The cuing lever didn't work, nor did the automatic return, which would seem to move the arm in random swings when I didn't control it manually. But it did play manually. A few days ago, I decided to play a great old digital 45 recording of the Apassionata Sonata (mastering lab series direct cutting, Ikuyo Kamiya, Bosendorfer Imperial). Well, the Techics got stuck on 45 rpm, and won't go back to 33. My 33's don't sound as good on 45.

I have to either fix the Technics or replace it. I think it would cost more than the Technics is worth to fix it.

So here's my question. If my primary source is digital (computer) but I don't want to throw the records on the ash heap of history, and I don't want to spend too much (would like to spend under $1200), and I do care about what the thing looks like, and I have no expertise and don't want to spend days setting it up, and I expect to buy something used on Audiogon (or possibly on ebay) and I do have an ear that likes good sound, what turntable, tonearm, should I look for?
128x128Ag insider logo xs@2xtwilightround
Your wish list for a turntable can be answered in one word - Rega. No Muss... No Fuss... just sounds great and setup is the time it takes to get it out of the box and plug it in.
Paul
Hmm, no Clearaudio fan here?
If you want a new table, Clearaudio Emotion would be worthwhile to consider. It can be had at around $1000 without cartridge.
There you as I said at the beginning, I through my 2 cents in with the used VPI HW-19, at $400-700(depending on variations) that would leave you plenty of scratch to spend on a nice cartridge, and still be under $1200.00.

And you also got the SL1200 and of course the Rega picks as I mentioned you would.

So there you go, probably more confused then ever, good luck.
03-03-09: Twilightround
Was I happy with the Technics? Well, yes, but ... Don't you want something
better, at least until you find something you like too much to replace?
The thing is, the general audiophile community
tossed the Technics DD tables aside in favor of suspended belt drive models
without realizing that the Technics retains strong advantages in speed
consistency and accuracy, and build quality owing to economies of scale,
while its weaknesses relative to suspended designs are pretty easily
addressed for not a whole lot of money.

The tonearm wire on the base model limits the sound quality, but KAB can do
a tonearm rewire with Cardas for a very reasonable price, or you can start
with the more upscale SL1210 M5G which has better tonearm wire than the
lower end models. Second, the tonearm is very precisely made, but KAB
offers a fluid damper trough that makes the tonearm work even better on a
wider variety of cartridges, and tracks even hideously warped records without
skipping.

Third, Kevin provides a much heavier, thicker turntable mat which helps
reduce noise; you can also purchase any number of premium aftermarket
mats to do the same. The Herbies Way Excellent mat and the Iron Audio mat
are fairly popular with SL12x0 users on A-gon.

Fourth, the Technics biggest weakness is probably noise and vibration
isolation. The standard feet aren't very good. Kevin has some really quality
feet available called the Isonoe (not to be confused with Isonode) footers.
People here use various combinations of sorbothane, squash balls, cutting
boards, brass cones (from PartsExpress, Mapleshade, or Audiopoints), and
Vibrapods to create a platform that drains the vibrations out of the turntable
base and also isolates the cartridge feed from room-borne noise and
vibration. I get performance from my SL1210 M5G that I never thought
possible, and most of the performance increase comes from the combination
of cones, platform, and vibration absorbing materials that provide the
platform for my turntable.