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Advice Needed on Mono Phono Preamps

I am in the process of putting together a system for playback of mono LPs and 78s. My intent is to use the phono preamp with the line stage of my existing preamp. The only "current" production mono phono preamps with selectable EQ curves that I have been able to identify are (1) the Sentec EQ-10, (2) the KAB EQS MK12, and (3) the Graham Sell Jazz Club. I am impatiently awaiting Art Dudley's anticipated review of the Sentec and KAB, but in the meantime...

For anyone who has experience listening to any/all of these or others, I would appreciate any guidance on the followig:

1. Have I missed anything that I should be considering?
2. Are there vintage mono phono preamps that should also be considered for this purpose?
3. Is a step up necessary with low output carts for any/all of these?

Thanks very much for any help.
jeffreybowman2k
mcmprov
57 posts
 
I am interested in this topic as well. I have heard of three others that have the selectable EQ features you request:

1) Tron Seven Mono (upcoming version)
2) McIntosh C-8 (a vintage product that can be restored)
3) Hagetech Archiver (recently updated and renamed)

I have no experience with any of these, but hopefully others can comment. Also, I am not sure if the latter two are mono (the McIntosh probably is), nor am I sure what the advantage of a "Mono" preamp would be, assuming that you have a mono cartridge (I'm a vinyl noobie). Is it safe to assume that getting a mono cartridge would be the first step you would want to take on this path?
buconero117
2,311 posts
 
VAS AUDIO CURRENTLY MAKES A PRE-AMP THAT HAS ALL THE OLD RECORD EQ CURVES. WHILE THE UNIT IS STEREO+, IT PROVIDES GREAT FLEXIABILITY TO HANDLE ANYTHING. THE UNIT IS ALL TUBES. I HAVE ONE AND I AM VERY PLEASED. VAS CAN BE FOUND AT THE CAYINUSA.COM SITE.
jeffreybowman2k OP
216 posts
 

nor am I sure what the advantage of a "Mono" preamp would be, assuming that you have a mono cartridge (I'm a vinyl noobie). Is it safe to assume that getting a mono cartridge would be the first step you would want to take on this path?

Here is what Tron had to say on that topic (from the website):

Why a mono phono stage?
Pre-1957 record companies used different recording equalisations prior to the introduction of the RIAA standard. We have developed this phono stage to allow more faithful reproduction of these early recordings. The Seven is available with three switchable equalisations which can be user specified.

Modern mono cartridges often do not work well with stereo phono stages, causing noise etc. This is because stereo phono stages are expecting to see a stereo signal rather than a mono one.

I have always assumed this to be accurate, but I would welcome comments from anyone who has found otherwise.
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uru975
684 posts
 
Getting a good phono stage with a mono switch is also an option, at least for 1957 or so on recordings.
t_bone
1,182 posts
 
The Zanden Model 1100 is a dedicated mono-only phono pre. I do not know if it is still a 'current model' - my understanding was that a new one was on its way. I have not seen many others out there (disclosure: I have one - don't use it much but I found it used and really really wanted to try it). I love the phono's sound - lush but not overbearingly so - and quieter than 'lush' usually is. I have no complaints whatsoever. It has double selector knob/switches so rather than choosing among curves, one builds the curves by selecting turnover frequency and roll-off levels (there is a link to an image on the page previously linked). Note: it also uses a different circuit than normal for equalization - one which makes fixed impedance - if that matters.
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