Budget Turntable

Cerrot, that's interesting because your experience with the Technics vs Project is completely opposite of mine. I found the light Project arm to be difficult to match with cartridges that offered strong value, the arm was difficult to properly adjust the VTA and anti-skate, and the turntable itself was extremely sensitive to vibration. With the same cartridge, the Technics sounds so much better to me, and gave me a much better signal-to-noise ratio. I also previously had a Music Hall table (similar in many ways to the Project), and it couldn't hold a candle to my Technics. Which mods did your "highly modded Technics" have that didn't do as well as the Rega?

The original poster asked about a Rega P3 and a Clearaudio Emotion (neither of which I've ever listened to). I'm sure both would work just fine, as they get good press. As for budget phono stages, it depends on how much you want to spend. On the inexpensive side, the Parasound zPhono is a good value for around $100, and the Acurus P10 and Musical Surroundings Phenomena are a little better for a couple hundred dollars more. The Dynavector P75 also gets good reviews.

Best of luck,

Michael

Agiaccio: I have a few questions for you:

You suggested a couple of rigs from Rega and Clearaudio in the $1500 range.
1) If your bro-in-law has only 50 albums and no intention of expanding that, why would he want to toss that much money just to play 50 albums?
2) What type of system does he have?
3) Is he open to the possibility of expanding his collection?
4) Does he have the space and inclination to provide a proper platform for the turntable?

If so, fine, but otherwise he'd probably do well with the Audio Technica PL-120 for $219.95 from LPGear. It's a well-executed solidly built (weighs about 26 lbs) Technics SL12x0 knockoff that plays 78s and has a built-in phono stage. For cartridge I'd go for an Ortofon 2M Red. Put Vibrapod #2s under the feet, or put the turntable on a butcher block cutting board and put Vibrapods under the cutting board to isolate the turntable and lower the noise floor.

For an outboard phono stage, the Cambridge 640P is pretty good and does both MM and MC, but I've found that for high output cartridges, the built-in phono stage of my Onkyo A-9555 integrated amp is significantly better. If he's in the market for electronics, this integrated would provide an excellent phono stage.

The Technics had the KAB PS1200 power supply, fluid damper, Isonoe footers, upgraded bottom plate, upgraded wiring (not cardas but the guy spent $200 for it), strobe dissabler and record clamp. It (to me) really sounded stringent, narrow sound stage, no depth. All vinyl had too much surface noise and I swear I could hear the drive rumble, and rumble... When I tapped the body of the table, you heared it through the speakers (stylus on record) way too loud. Cartridge was grado gold, and then Benz Micro Glider and then a shelter (can't remember which); used two phono stages - Bellari (sucked-hum, no low level retrievel) and my Innersound (which I find very dynamic, quiet and brings everything out of the grooves). We compared it to (with same cartridges/phone) Project Debut, Rega P3 and My modded TNT Jr. It was easilly bested by all rigs.

Cheaper to have them all transcribed to digital.

Rega would not be bad if you don't listen to that much. I lived with a P3 for 5 years in bliss. Had a terrible Grace 707 with it to boot (why does sumiko blue point ring a bell?). Imagine if I'd never thought of upgrading because I had the RB300. But for 50 records? Why occupy the real estate.

For me, instead of upgrading the whole thing I instead bought an SME V for $1800. This was back in the 1900's though. Still think that was the best investment I'd made in audio (everything else in my system has changed since then except the vinyl).

Jerry

Jerry