Hi Dertonarm: Yes, I am aware of that the FR-7 was referred to as "FR-1 MK7" prior to launch. But I am also aware that the marketing department (in many companies) can twist and turn things in a way that may be at odds with the intentions of the designer (grin). It happens all the time.
Admittedly I've made similar mistakes myself, like when I decided to name the Clavis and Parnassus successors as Clavis DC and Parnassus DCt, when in reality they had absolutely nothing to do with their predecessors (other than that the same guy designed them). In recent years this has become something of a problem for me, since the original Parnassus can be used as a donor to create an Olympos, but the later Parnassus DCt cannot. I sometimes receive letters from audiophiles stating that they have been able to buy a Parnassus DCt, and asking me what additional procedures are required to build an Olympos for them. I am forced to disappoint them, but it really pains me to have to do so. If I hadn't called the Parnassus DCt "Parnassus" but something else more in keeping with its radically different engineering approach, life would be easier today.
>you might - if you haven't already done so... - give your Titan i a test in your FR-64s. The combo gives astonishing good results - despite the less great mass/compliance combination.
Yes, I've already done so with the Titan i. Likewise the Olympos. I agree that the results can be quite OK - as long as you wrap a damper strip around the armtube or take measures to dampen it better. Otherwise the "fx" or "fc" variants are far more friendly to use. By the time Ikeda did the IT-345 and IT-407, he had gained a much better awareness of resonance control as compared to his FR days.
Apologies to T-Bone for derailing his thread.
T-Bone, I will be interested in hearing of what you think of the LC-80 when you get it, what amplification and/or stepup you find works best, and how you like the sound. At least you can't complain about the 10k price!
BTW, are you familiar with the technical audio magazine "Rajio Gijutsu"? I believe that they were offering a rebuild and overhaul service for out-of-production cartridges, with the work performed by one of the former heads of Roundale Research. I have some recollection that the magnet on the LC-80 is Alnico. If so, the magnet would almost certainly benefit from a recharge, and you may get a bit more output voltage if you can have this done.
cheers to all, jonathan carr
Admittedly I've made similar mistakes myself, like when I decided to name the Clavis and Parnassus successors as Clavis DC and Parnassus DCt, when in reality they had absolutely nothing to do with their predecessors (other than that the same guy designed them). In recent years this has become something of a problem for me, since the original Parnassus can be used as a donor to create an Olympos, but the later Parnassus DCt cannot. I sometimes receive letters from audiophiles stating that they have been able to buy a Parnassus DCt, and asking me what additional procedures are required to build an Olympos for them. I am forced to disappoint them, but it really pains me to have to do so. If I hadn't called the Parnassus DCt "Parnassus" but something else more in keeping with its radically different engineering approach, life would be easier today.
>you might - if you haven't already done so... - give your Titan i a test in your FR-64s. The combo gives astonishing good results - despite the less great mass/compliance combination.
Yes, I've already done so with the Titan i. Likewise the Olympos. I agree that the results can be quite OK - as long as you wrap a damper strip around the armtube or take measures to dampen it better. Otherwise the "fx" or "fc" variants are far more friendly to use. By the time Ikeda did the IT-345 and IT-407, he had gained a much better awareness of resonance control as compared to his FR days.
Apologies to T-Bone for derailing his thread.
T-Bone, I will be interested in hearing of what you think of the LC-80 when you get it, what amplification and/or stepup you find works best, and how you like the sound. At least you can't complain about the 10k price!
BTW, are you familiar with the technical audio magazine "Rajio Gijutsu"? I believe that they were offering a rebuild and overhaul service for out-of-production cartridges, with the work performed by one of the former heads of Roundale Research. I have some recollection that the magnet on the LC-80 is Alnico. If so, the magnet would almost certainly benefit from a recharge, and you may get a bit more output voltage if you can have this done.
cheers to all, jonathan carr
