Quiet Tonearms/cartidges??


I have a fairly good system and am considering revamping my turntable. I really haven't played vinyl in 20 years. When I did, I would buy an album, clean it, zap it with my Zerostat, then record it going through a DBX 224 and then play the tape. This would eliminate most pops and surface noise, while also allowing me to play at high volumes without any rumble. I have been reading about the higher quality tonearms and cartridges and understand that the high end models virtually eliminate surface noise of LP's. Is this HYPE or FACT? I rarely play LP's now-perhaps because I have no really good quality way of playing them, and I must admit, I enjoy the convenience of CD's. OK - I'm sure all you vinyl purists are muttering obscenities. I currently have a 1974 Pioneer PL-71 turntable , with a Shure V-15 III cartridge, which was pretty much the best I could buy at the time. I have a Theta CB3 preamp going into Krell KMA 160 monoblocks, driving some Wilson Maxx's (series II) speakers. I'm using a Theta Miles CD transport at the front. My old pioneer turntable doesn't sound "bad", but when I look at some of the new analog stuff out there, I'm wondering if I'm really missing out on some good vinyl reproduction. Don't have the bucks to invest in a turntable to equal the rest of my system, but may want to get into a medium grade line of analog equipment. Do any of you vinyl guys (or gals) have any advice? (Blowing my head off, or ingesting poison is not an option)
handymann
You'll find reading through this thread to be highly informative:

http://forum.audiogon.com/cgi-bin/fr.pl?eanlg&1214236406

Among many other excellent points which are made, I would single out for mention Atmasphere's post about how phono stage or preamp designs that incorporate significant negative feedback will exacerbate tics and pops, and also about the criticality of proper cartridge and tonearm adjustment (as Axel also alluded to above).

Regards,
-- Al
clean records havd fewer pops and less noise and better sound.
an good (and expensive) rcm (record cleaning machine) can do wonders.
Dear handymann: Of corse that changing the headshell wires for a top ones can improve the quality performance too.

Regards and enjoy the music,
Raul.
A RCM => (Record Cleaning Machine) is a MUST as far as I had to learn. And that ALSO applies to NEW records as far as my experience tells me.
A lot of them new one's are not a pristine as one would like to have it. I use a Hannl MERA (pretty quite) with their latest Roller-brush --- VERY handy for reticent cleaning cases of mostly 2nd-hand vinyl.

Ticks and pops are said to operate right in/into the super-tonic frequencies i.e. above what you can hear. B U T they create their own lower harmonics that can make them sound worse then they actually are. This gets back to the cart/arm/phono-pre/loading matching also for MMs! (ask Raul he likes 75k ohm and 100k ohm better then the std. 47k input impedance for a lot of his MM carts). I mention this if it gets to picking a phono-pre.

I still think a good MM cart with a top 40dB tube? stage might be the way to go, rather than blowing your buck on one 'can-do-all' with a dodgy/lesser MC stage and trying to get it right afterwards with any of those overpriced MCs. IT WON'T WORK!
Just a more recently arrived at opinion on that subject.
Cheers,
Axel