Lewm
>>> probably a Sumiko BluePoint, originally <<< oh, oh, :-) but that's also an MC?
about time if you get a bit restless to check on MMs, I say...
I have listened to A&R P77, Empire S1000 ZE/X, Shure V15 III VN35MR, Elite EEI 500, AT-140LC, and some bottom of the line AT with conical stylus (not actually much more than the $20 you pay for it).
All this has confirmed for me in my system everything that Raul is on about.
I have also had in my system, DV 20X-L, DV 10x5, Kontra-Punkt A, Jubilee, Windfeld, Dorian, Transfiguration Axia, Orpheus what I recall.
I mention this as I can not lay claim to some 100 plus carts MC and MM, Raul is working with.
Yet, other than that el cheapo $20 AT basic --- every MM was more fluid, musical, and had more 'magic' (for lack of a better word) in my system than ANY of the mentioned MCs.
This obviously made me wonder why?!
Raul, thinks it's just by the nature of the different construction that, given a decent phono-pre, make that difference.
What I'm learning also, there seem NO 'special' MM phono-pres in today's offerings, as all are -can do MM too-.
What I was looking for is a MM stage, differential, floating RIAA, tube, 100, 75 50 (47)k ohm input impedance, 100, 200, 300, 400, 500pF C loading. XLR outputs, Differential (wired) RCA inputs.
No such a thing for only up to 40dB for all I can see.
My current boards are, differential, SS (op-amps 2x) 1 for 40dB plus on for 69dB, no C loading (OK two parallel binding posts), 47k ohm only impedance. It sound pretty good, as it uses the clean power of the ML326S' power supply and is INSIDE the pre-amp.
So, I guess all there is, is to find some 'oldie' pre-amp? Not so sure I actually want to change my 326S (to darn convenient :-)
--- End of enquiry? Could well be...
"At least nobody can say I haven't tried"
Axel