Lewm, my mistake for not including the intended recipient in my post. (I don't post here at Audiogon very often so am not used to the continuous thread format.) I was trying to get a sense from Axel (and others) if it was worth the added expense of having dedicated phono stages for several LOMC cartridges, each with a unique amplification and loading requirement. That's making the assumption (and the analogy to a dedicated MM stage) that to get the best sound from a phono stage, the design must be specific to the cartridge.
If so, then the question might also be asked: Dedicated phono-pre for (specific) LOMC only?
Tom
If so, then the question might also be asked: Dedicated phono-pre for (specific) LOMC only?
Tom