Dedicated phono-pre for MM only?

Daer Axel: I can speak about that switch subject. During our researh and tests on the deign of the Esential 3160 and due that this PHonolinepreamp was/is designed for our ( José and I. ) specifics need in one of the prototypes ( the one battery powered. ) we have six phono inputs through a switch that I use it for several months till I decided to hear the same cartridges with out that switch where every change on tonearm/cartridge means disconnect/connect in manual way each time, well there is a quality improvement with out that switch and we decided to go in this " fashion ".

But the Essential 3160 is not a product thinking on commercial subjects ( facilities for the customer: using switchs instead that manual changes, switchs for impedance changes instead solder resistors, etc, et. ) but with targets of absolut quality performace where less means more and with no trade-offs or trade-offs at minimum. Many times this approach ( no trade-offs on quality performace. ) means that the Essential user has less facilities: switchs.

Regards and enjoy the music,
Raul.

Raul, Do you mean to say that every time you change from an MC that likes to see, for example, ~100R to one that needs significantly higher R, you actually take the 3160 to the workbench and solder in the required higher R? Or do you use some plug-in system that obviates the need for a switch but still puts mechanical (i.e., unsoldered, pressure-based) contact points in the signal path? Or do you still have a switch for load resistance? (Your post suggests you eliminated switching between input jacks, rather than between load resistors. Even with a single pair of inputs it would be desirable to be able to switch load resistors.)

Kirkus, I just paid too much for a B&O MMC20CL off eBay. I hope I will be happy. The AD797 is one of the ICs I had in mind when I noted that the op amp-based schematic that was posted above might be upgraded with later, better chips. (The schematic used TL072, I think.)

I just paid too much for a B&O MMC20CL off eBay. I hope I will be happy.

I think that I was looking at that one too . . . glad you got it. If it's in good shape, then you didn't overpay. Stellar cartridge.

On the AD797 - this opamp is capable of extremely high performance, but it's definately NOT one to swap into an existing circuit without careful consideration, especially if it originally uses TL072s! The AD797 really shines with low source impedances (not MM cartridges), but on the other hand, it can be limited in its useable output current . . . so it doesn't necessarily do the best job of driving the low-impedance feedback network that suits its low eN characteristics. That's why I used the discrete JFETs as a buffer, and why I used it in the second stage, where it can be driven from the low source impedance of the first. The AD745 is FET-input, so it works great with an MM cartridge . . . but it's not stable at lower gains, so stability and phase margin have to be carefully considered in application. Then there's the fact that the TL072 is a dual, and AD797 and AD745 are singles.

For general TL072 replacement, try OP249.

Dear Lewm: That's right, if I need a different load impedance then I soldered a new resistor value, no switch. Normaly almost all the LOMC cartridges comes with a very low internal resistance where 100 Ohms can cope all them. The other subject is that due to the Ponolinepreamplifier characteristics you don't need to change the load impedance, only in extreme very extreme cases.

Lewm, one way or the other normaly a switch makes a degradation to the cartridge signal so you have to make a decision on trade-offs between quality or convenience, we choose for quality performance.

Regards and enjoy the music,
Raul.

Raul, Just another one of life's compromises.

Kirkus, Would you care to comment in more detail on your earlier statement that a balanced input is per se not ideal for an MM cartridge? At least I think that is what you meant to say.

By the way, thanks largely to Kirkus' input I am beginning to learn some things about MM phono stages and phono stages in general that I did not know.