As far as SUTs go, yes they need to be matched, well matched! But if done, they have some 'magic' of their own and can make an MC something more full of 'live' and vibrant.Oh yes, absolutely agreed! Even in a purely technical sense, there are many inherent advantages to transformer-coupling a LOMC cartridge . . . and I obviously chose this approach myself. I simply wanted to give counterpoint for those that feel that SUTs are inherently inaccurate and colored - because I understand how one could come to this conclusion . . . as most implementations on the market IMO don't really realize the full performance possible in the transformer approach.
Not necessarily since there are errors to the (-) and (+) side of the curve, yes?From a statistical/tolerance standpoint, yes, this is purely additive error. In electronics design, there is a specific procedure called "monte-carlo" analysis . . . which takes the maximum allowable tolerances of each component and combines them all in the absolutely worst-case situations - and this gives you the performance tolerance of the entire circuit.
And we are actually talking about observed 'tolerances' just not quite the same as ERROR, in my vocab anyway.
Now, tolerances can be additive or subtractive.
In the audio chain, to define frequency-response as a deviation from perfection . . . keep in mind that in this definition we may have no idea exactly what the particular error is for each part, only that they are within certain limits. So while we can hope for that perfect synergy where every error just happens to cancel each other out . . . if we are to truly take responsibility for the performance, we have to assume the "perfect storm" where all the errors just happen to add up in the worst way.