Suggested entry path into vinyl...


...if cost is not a major constraining factor (within limits :-)). I guess my question is do experienced vinyl enthusiasts recommend starting with a "entry-level" analog set up and tweaking and upgrading over time to maximize one's learning of what one likes by sampling different tt/tonearm/cartridge/phono setups (as well as learning how to correctly set-up and handle tts and associated gear on less expensive equipment), or would you just buy a more "evolved" (and likely more expensive) setup at the outset that you have heard within the context of the rest of your playback system and that you like the sound of (but perhaps make expensive mistakes on that gear). I am deliberately staying away from specific examples to get at folks' opinions/recommendations about the approaches. Thanks for your thoughts in advance.
cmalak
I said med output moving coil so a lower db setting could be used in the phono section and the hassles with amplifying extraneous noise in a beginning system wouldn't be a big problem.
Hi Samhar. Absolutely right. I misspoke. Thanks all for your continued advice. Appreciate it.
i don't know, i am on my 5th album tonight and not one pop or click, just great sounding music and dead quiet in between, go figure.
Hi,
let me second Clio09 and of course MM Raul :-)
I'm currently listening to an MM in my system (Shure V15 III xMR) and it makes me and my phono-pre a lot happier then any MC managed to date.

Some would say it's due to the phono-pre seeing a more 'workable' cart output voltage and I think it holds some truth. The next best think (in my system) was a 0.3 MC but ONLY when using a step-up transformer, but note: I have NO need for extra gain, as my system can muster some 78dB with relative ease.

Please NOTE, that I say in MY SYSTEM. A lot depends on the performance level of the phono-pre when it is supposed to produce TRUE music like output from e.g. an <=0.3mV cart output. It is there where the phono-pre chaff separates from the wheat.

I think MCs are much overrated in the presents of 'general' phono-pre performance. I have not had the pleasure to listen to a $32'000.00 phono-pre like e.g. Boulder 2008 so all I can relate by is something more 'middle-of-the-road' (see my system).
My advise be also: Get the best MM you can afford when looking for a cart.
Greetings,
So Cmalak, have you actually gotten into vinyl?

My two cents, from personal experience:

I started listening to a great deal of music at a very early age, some years before the Compact Disc playback system broke into the scene. While all my school mates were still listening to some childish dribble, I was pestering my folks for Queen, Kiss and Rolling Stones LPs. My mom even got me one of those portable “suitcases” with an integrated turntable and folding speakers, so I could spin my own records.

When I was fifteen, while visiting family in NY, I had some money in my pocket, so I went down to Canal St. and got myself a Technics SL-1200 MKII turntable, the very same unit that is now spinning ‘Let It Bleed’ atop my equipment rack as I type this post, some 22 years later. I could go on and on about the table, its technology and its history, but the point is that I paid $400.00 for it, surely the best money I ever spent during my lifelong musical journey. My baby still sounds great tonight, has aged gracefully, it never missed a bit, it’s built like a tank and it will go on forever. If I had to choose between my table and my Wife, I’d be stuck between a rock and a hard place!

Along with my turntable I’ve managed to preserve a decent collection of LPs, some purchased by myself as a kid, some inherited from others. Whenever someone was “switching to CDs”, my home was the destination for their old records. I currently own some 3,000 pressings of all sorts of genres and artists. A few are in great condition, but most of them have either been moved too much, stored and handled poorly, played with shabby needles, or all of the above. You can say that I’ve kept all these records throughout the years mainly because I had enough space. One day I ought to filter them out, but for me those records represent a great, free source for musical discovery.

So, although I always had a vinyl rig, the quality of my LP collection never justified a hefty investment in equipment. Also, the limited availability of fresh LPs in my area makes it unviable for me to consider a costly rig. Whatever records come my way these days, they are usually second-hand copies which I snatch at flea markets for less than three bucks a pop.

In any case, I grew up during the proliferation of digital playback. My CD collection is far larger than my vinyl and it is more representative of my own musical preferences. Being the avid audiophile junkie that I am, I spin those silver discs in a high end CD player that retails for over $6,000.00.

You may think that a current $6,000.00 high end CD player with great associated equipment and cables would just smoke the old $400.00 table with its cheap Stanton needle… And you’d be right! Still, every time a mint LP goes for a spin on that old turntable, even through that rubbish cartridge I can absolutely hear why so many people defend vinyl as the best, more musically satisfying format.

I will go as far as to get a better cartridge at some point in order to enhance my system’s definition, but I won’t go beyond a reasonably-priced option.

This is a hobby, after all. So –finally- my two cents are:
- If you live in an area where fresh vinyl is readily available,
- If you are willing to spend considerable resources in analogue hardware, software and isolation, as well as all the cleaning, demagnetizing and calibration accessories de rigueur,
- If you have enough dust-free space to properly store LP records…
Then vinyl will probably provide you with the best possible musical reproduction experience.

However, if like most people you are likely to just get your hands on a few old records here and there, which may not all be in the best of shapes, then settle for an inexpensive vinyl rig which will still give you plenty satisfaction, and devote more resources to consolidate your digital front ends.