Can we get back on track talking about the genres of turntable drive system?
It's not that I don't believe the improvement of a turntable mat - of course they do - but we were talking about the TYPE of improvement, in what area the mat will improve the most and some of us simply question it will improve the "slam", "drive", or rhythmic quality, not tonal quality, that, we believe, has more to do with the drive system and, in my experience, particularly, the motor. I will be happy to be proven wrong that a turntable mat will improve across the board in every sonic area to the point where it even matches or surfaces replacing a mediocre motor with a better one. If there's cogging or speed irregularities or speed drift, wouldn't it make sense to address the motor, which is the singular active component in the entire system? For some reason, the thread ended up talking about turntable mats. Many stock Empire 208 turntables are a little fast, please illuminate me on how a turntable mat can make the speed spot on.
Back to motors or drive systems, shall we?
Question for Mr. Kelly. Is there a technical explanation on why, at least to me, most coreless motors in a direct-drive system sounds smoother to my ears? I know they've been advertised as having less cogging or coggin free and I have to admit they do sound silky smooth. They tend to have less torque and, again to my ears, less dynamic but I am willing to trade for smoother sound than just dynamics. Even on a cheap Pioneer DD table with coreless motor that I acquired recently I heard the purest smoothest violin sound from a turntable. Sonically, I am sold on this type of motor. Typically I choose a high torque core motor DD table to tape-drive my passive platter to equal the smooth sound of a DD table with coreless motore.