I don't have the broader experience that Zenblaster and Tonym211 have with cartridges. I've spent more of my effort on vibration control: I started with the SL1210 M5G with upgraded tonearm wire, use an LPGear ZuPreme headshell, the KAB fluid damper, which lowers the resonant peak, wrapped the tonearm, which quells a persistent upper midrange resonance in the tonearm, and I have other damping effects--sorbothane (not gel) mat, record grip, and a multi-layer isolation platform. Those vibration control efforts improve the inner clarity, dynamic range, and lower the noise floor regardless of the cartridge. And it should help get the most out of the better, more resolving cartridges. For example, I'm very satisfied with the bass tightness of the AT 150MLX on my well-damped rig.
Since my experience doesn't include high end cartridges on the SL12x0, I can only go by what I've heard from reviewers I trust. Tone Publications has been evaluating an SL1200 for some time, and with the original arm (but no fluid damper), they seemed to like the Zu103 the best. I have also heard from Positive Feedback reviewer and SL1200 booster Ed Kobesky that the $949 Denon DL-S1 (an LOMC) is a *really* good match. I suspect that that cart on an LPGear ZuPreme headshell with the KAB fluid damper would really rock.
Since my experience doesn't include high end cartridges on the SL12x0, I can only go by what I've heard from reviewers I trust. Tone Publications has been evaluating an SL1200 for some time, and with the original arm (but no fluid damper), they seemed to like the Zu103 the best. I have also heard from Positive Feedback reviewer and SL1200 booster Ed Kobesky that the $949 Denon DL-S1 (an LOMC) is a *really* good match. I suspect that that cart on an LPGear ZuPreme headshell with the KAB fluid damper would really rock.