Hi All,
Just a return to the issue of set up on the G5. I should point out that there appears to be a reason behind my initial findings for the plug-and-play nature and ease of set up. I must also clarify that I receive a far better sound when the cartridge is placed in the AP-300s armwand than my longer MC-A armwand. Apart from shouts of "distortion", could there be any reason for this perception? Well, not unlike the experience of one of the posters here, there might have been an happy coincidence of set up.
I was recently reading literature for the Nagaoka MP50 cartridge and found that they also recommended the MP50H as their top model due to the use of their integrated and specially resonance matched headshell:
"One of the special features of the MP-50H and MP-30H lies with the magnesium alloy headshell."
Interestingly, when it comes to the issue of set up, Nagaoka, Japan state that:
"Adjust the overhang to proper length to minimize distortion. (At present the cartridge is fixed at a position in which h in figure 1 measures 50mm. This matches the overhang in most tonearms.)"
When I first set my Glanz G5 up (which, as I noted earlier, has the same 50mm length), I was removing my Nagaoka MP50 from my Audiocraft AC3300 tonearm still bearing the AP300S armwand. Obviously, mounting distance remained the same for the tonearm. Surprisingly though, the VTA of the Glanz also seemed best in the exact same position as the MP50 had just occupied, requiring no adjustment (although I was using my MP50 with a 2-3mm elevation at pivot). This left only the VTF to be adjusted to 1.5g. The result in this set up is the reason that I advocate others to try it out and referred to the plug-and-play nature of my experience with this gem. I can therefore only refer to my consistent argument that this G5 is a great cartridge.
I hope that gives real clarity and less controversy
Ejoy