Hi,
looks like we are back with the SUT business...
Let ME state categorically that the Dertonarm IS RIGHT with regards to a LOMC (>=0.3mV) producing more 'natural' sound with a correctly matched SUT.
Even with a pretty modern design cart like an Ortofon Windfeld that can pretty much work OK with loads from 500 - 47k ohm it sound *absolutely* better more natural with SUT.
In this case example: 4 ohm source impedance, ~ 20uH source inductance, and 0.3mV output.
Matched to an SUT of 30dB (1:31.6) i.e. 47ohm primary input impedance going into 47k phono-pre.
Primary DCR of SUT = 1.1 ohm)
Phono-pre is all SS, and in fact MORE quite! without SUT when set to 78dB. Using the cart with SUT gives more natural 'ambience' and depth information without perceivable loss of detail what so ever.
In comparison 1k resistive load gets to 'hot' in very dynamic passages, and already too 'sat-on' with ~500 ohm. Loading with 100 ohm sounds completely dead, or as Dertonarm pointed out by using the simile of far too much feedback like sounding.
Now go figure...
Greetings,
Axel
looks like we are back with the SUT business...
Let ME state categorically that the Dertonarm IS RIGHT with regards to a LOMC (>=0.3mV) producing more 'natural' sound with a correctly matched SUT.
Even with a pretty modern design cart like an Ortofon Windfeld that can pretty much work OK with loads from 500 - 47k ohm it sound *absolutely* better more natural with SUT.
In this case example: 4 ohm source impedance, ~ 20uH source inductance, and 0.3mV output.
Matched to an SUT of 30dB (1:31.6) i.e. 47ohm primary input impedance going into 47k phono-pre.
Primary DCR of SUT = 1.1 ohm)
Phono-pre is all SS, and in fact MORE quite! without SUT when set to 78dB. Using the cart with SUT gives more natural 'ambience' and depth information without perceivable loss of detail what so ever.
In comparison 1k resistive load gets to 'hot' in very dynamic passages, and already too 'sat-on' with ~500 ohm. Loading with 100 ohm sounds completely dead, or as Dertonarm pointed out by using the simile of far too much feedback like sounding.
Now go figure...
Greetings,
Axel