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Technics SP-10 Tonearm Pod instead of Plinth/Base

Trawling through the Audiogon forums for information on a suitable Plinth for a Technics SP-10, I came across a post by Raul.
Instead of putting the SP-10 in a plinth, he just put the TT on three feet and then had constructed a separate base that only housed the tonearm. (I haven't seen a pic of this BTW)
Following on from Raul's 'Thinking outside the square' approach, I thought I might be able to buy, or have made, a stand-alone 'pod' or rectangular tonearm plinth that could sit along side the SP-10. Has anyone seen something like this that I could buy 'off-the-shelf'?
The advantage of this is that the tonearm is decoupled from the TT and therefore distanced from any vibrations generated by the TT.
A down side is getting the right geometry for the tonearm in relation to the distance from the spindle; and then keeping the pod in the right spot.
If this is all too hard, I might still go with a plinth. I notice an E-Bay seller in Taiwan is offering a Teak plinth cut for the SP-10. Anyone bought one of those?
All comments welcomed!
dsa
lewm
13,036 posts
 
Macrojack, Nothing "wrong" with your plinth. I did not get a plinth with my SP10, so had to improvise my own. The question is whether your plinth or my plinth could be "better", This is the hobby aspect. Pure music lovers need not pay any attention to it. There are days when I don't give a rat's arse about plinths and just want to listen to jazz. In fact, any time I am actually listening to my system, that is the case.
macrojack
1,303 posts
 
Thanks, Lewm. It really is that simple, isn't it? This whole audio thing seems to be fueled by a self-conscious dissatisfaction. Why are we never happy for long? Why the drive for more, more, more always?
Lately I've come to believe that we are treating the wrong end of the equation. Instead of constantly trying to modify our systems to please us, wouldn't it be easier, less expensive and less frustrating to simply change ourselves and our expectations. Perhaps the glass really is half full.

I'm currently using 1973 issue JBL speakers, a Kenwood KT 917 tuner and this Technics table with a Denon DL 103 cartridge. My horns could have been built in the 1930s. All of these items stand very tall in comparison to this months review items. So why the push to modernize? Why the belief in the latest and greatest? Why not just settle in and enjoy what we have? You know as well as I do that it's pretty damn great. There will never be a last nth.
weisselk
48 posts
 
Hi Macrojack. I think the original Obsidian plinths from Technics are fine, and I own two of the SH- B3 and one full Obsidian SH-B5. As stated above by Pryso, these all weigh under 20 kilos.

The OMA slate plinths weigh about 100 pounds for the two layer versions, and half that for the single layer, so we are talking about very different mass from what Technics put out as a product- I doubt plinths of pure stone like slate weighing that much would have gone over well with their marketing people.

Not to mention the fact that without a waterjet, making complex and precise cutouts through slate 2 inches thick would have been difficult if not impossible. It certainly would have been too expensive at the time to offer as a product.
pryso
1,928 posts
 
Lew, you offer one of the best comments ever on an audio site -

"There are days when I don't give a rat's arse about plinths and just want to listen"

I started out in this hobby as a music lover but hoped to increase my enjoyment with better equipment. Had I only known what a slipper slope that can be!

Like any addiction step program, getting off the equipment merry-go-round is not easy. And that m-g-r can be a great hobby in itself if that's what you want. But I found I've actually gotten further away from the music so am taking steps (my own program) to settle on a good basic system and just listen to the music.
macrojack
1,303 posts
 
Thanks, Weisselk, but it's too expensive for me even with the waterjet technology. By the way, are you related to Black Elk?
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