Technics SP-10 Tonearm Pod instead of Plinth/Base

Downunder: That's just the sort of comments I'm looking for! Put it up there. There many jazz, Weavers and 'Famous Blue Raincoat' lovers out there and I read their comments all the time. However, what about the music lovers who dig a massive bass-line, big drums and huge dynamics?

Some arms are good on acoustic music, voice etc but come undone when called upon to 'get up and boogie'. For example, pace, rhythm and timing can be lost in transit across the grooves. Other arms are good on the highs and mids, but have little or flabby bass- some unitpivots fall in this camp. Full orchestral music is perhaps the best test for any rig, but playing dance, rock and alternative music well is also desired in an arm. I want an arm that can do both, and do it well.

Lewm: OK- a good SP-10 goes for about $1,000 to $1,500. Then you add a plinth ($400-$2,000 ish), then an arm ($300 to $5,000), renovation work on caps, bearing oil, etc etc ($300 to who knows where) Get my drift? That SP-10 (with, granted, a u-beaut motor) is now getting into high-end price territory.

Now, buy a second hand SL1200 MK2 ($500 ish, it can be beaten up- who cares?). Remove the motor and electronics, build a plinth, build the outboard PSU, sell with provision to carry a Rega (that would encompass the Origin Live models too) and 9" SMEs. The customer could also specify a 12" arm.

It could be done on an exchange basis. (this is how the Origin Live started with their RB250/300 arms mods) You provide the SL1200, a cool small operator could do the work and give you back a bloody good TT. Alternatively, they sell the lot as a kit for OS customers or the DIYers.

I reckon the right operator with the right connections could offer the above for about $1,000 complete. Nothing fancy. Not high-end. Yet, it would blow a Rega P3 or a low/mid priced Thorens and other entry level TTs into the weeds!

There are millions of SL1200s out there just waiting....

I don't know if it was stated above but the SL-1000 was the SP-10MKII with the base, dustcover and arm included.

I suggest u look up turntable dot it or google reed tonearm. The manufacturer of reed tonearm do produce tonearm pod/ base or turret . It's make of certain matrixes, cork and stainless steel. Beautiful and not too expensive . From my friends experiment with Garrard 401, it's seems isolated base is the way to go. I hve not set up mine on a Garrard 301 yet while waiting for Mark Kelly psu and finally decide to build a birch ply base even though I would prefer a slate plinth which unfortunately is difficult to come by in my country . Buying a slate plinth with shipping due to it's weight wld be pretty expensive

Dear Audioblazer, You wrote, "From my friends experiment with Garrard 401, it's seems isolated base is the way to go." Can you tell me/us just what experiment your friend conducted? I also wonder how it is possible to generalize from any one turntable, especially one that is rather esoteric, to all turntables on a subject such as this.

By the way, have you had any recent communication from Mark on his PSU? I too am awaiting a Kelly supply, for my Lenco in this case.

No communication since 1 mail that project is starting. However from wikispace it's seems there is a delay from April deadline. I heard a Garrard 401 not optimumly set up with isolated tonearm and it was exciting and full of prat. That's why I decided to experiment with a properly refurbished Garrard 301, purchased a reed turret , 12" reed 2p , ortofon a90 and dynavector x-1vs , mark Kelly psu. Let's see whether it will outperform my raven ac3 with raven 10.5 tonearm. Suspect it will be great for rock and classical music. Yes, listening to 1 set up is not conclusive but looking at stefano set and how da Vinci turntable is designed with isolated tonearm, I decided to take the route. Another reference go to promitheusaudio dot com