which is better ? MC phono stage or MM+step-up ?


anyone care to share what would yield to a better sound or how they are different ?
Some people i know prefer a stand alone MC phono stage. While others swear by the MM phono stage plus adding a step up tranny for an mc cart.
How are they different and in what way is one better than the other sonically ?
thanks
nolitan
Thanks guys for the advice. I have the Acoustat model 2 which has a nominal load of 6ohms.
From what I have read of the Atmos 140watt OTLs it sounds like what I want when I go back to work. I would love to hear them. Whatever I get it, is going to be tubes.
This recession s__ks!
I have read about the zero's but never heard them.Do they have much of a sonic signature? I imagine since they are passive it is minimal.
I use Paul's speaker cables and they are great.I love the fact that you can but first class sounding cables that don't cost more than a amplifier.I think the cable business could be the death of the hobby.Cables and Stones=snake oil.
Not that I don't believe that cables can make a difference,quite the contrary.But the margin on some of the stuff out there is grossly disgusting.Paul offers great sounding products for very reasonable prices.
The other cables I use are Mike Morrow's interconnects.These cables are terrific! If you have not heard them you should. And very reasonable.

Discalimer: Mike is a friend and in our club.

Once again, I can't thank you pros enough.My DIY projects have really come along nicely.And you guys and others have been a big help.
After a week of playing a lot of records (the best part about unemployment) the cable is starting to sound much better.
With that I have made a newer one.

My friend Mike Morrow gave me some mil-spec. 30ga. silver solid wire, which I have just made a new cable of.
Right out of the gate it blew the Cardas in the weeds!

smoother,more refined,nuanced, lower sound floor, much more and tighter bass. I can only imagine how it will sound after burn in.

more DIY fun

e
Sorry to go one about this but it is too incredible.

I just rewired my SUT with the same mil-spec. silver solid wire. My system just took a huge leap upwards! The sound stage is much more articulated with less hash and congestion. The bass is much more authoritative and controlled. The trebles are sweet and without glare of any kind. Just sweet.
The sound floor has dropped out of site. The hum problem is gone completely.This wire is amazing. I should find a giant spool of it and go into business.

cheers

e
Emorrisiv, one thing you will find in working with cartridges in general is it is best to keep your connections between the cartridge and the preamp to a minimum.

In the case of an SUT, I think you will also find the cable **after** the SUT to more critical than the one before, as the impedances involved are much higher at the output of the SUT and so more susceptible to cable issues. By comparison, the cable from the cartridge (if the cartridge is properly loaded) is relatively non-critical, especially if you run it balanced, which is possible if you have an SUT.
Atmasphere,

Quick question for a non-technical guy: my SUT is an EAR MC-4 with four RCA inputs and one RCA output. How would I run it balanced?

Thank you.

Brent