Upgrade from TW Acustic Raven AC-3 to what?


I have had the TW turntable (with 10" Da Vinci Grandezza arm and Grandezza cartridge) for two years. I have been happy with this TT and can live with it for a long time although i wish it wasn't as dark sounding, that the soundstage could be more spacious and the bass tighter. The upgrade bug in me is wondering for 50K ore thereabout, is there a TT that is superlative over the TW? One that would end my upgrading itch for the next 10 years?
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Dover, my tonarm/cartridge is silver-wired FR-66s/B-60 w/FR-7fc special. I am currently re-designing my initial TT from the 1990ies. It will be finished late this winter. I will post pictures and a description when finished.
Dear Dertonearm, I hate to harp on this issue, but I have a "thing" about bad science, such as your contention that the mass of the slate is a major determinant of the distance that a billiard ball will travel (and your bogus reason for saying so). I have done some reading on the physics of billiards, as a result of my consternation. Two things emerge from my research: (1) Once the ball is struck, the major contribution of the table to the distance and direction in which it travels is the static and rolling friction between the ball and the felt, as I surmised in the first place, and (2) slate is used for billiard tables not for its high mass per unit volume but because it can be worked to achieve a very flat surface, and once made flat, the surface of slate is very stable as regards humidity and temperature, i.e., it does not warp. Here I offer a reference to a pretty nice article I found on the internet that reviews the Newtonian mechanics of billiards:

http://archive.ncsa.illinois.edu/Classes/MATH198/townsend/math.html

Now if you can concede that your metaphor is ill chosen, perhaps we can also open our minds to re-examine the idea that platter mass is the sine qua non of the highest end turntables. If I could find an article that addressed your other bald statements, that a certain platter mass is needed, regardless of the drive system, and that the dynamic mass of the Saskia platter does not count as "mass", I would post those too. I don't have the requisite experience to disagree; I just don't think you have the "data", even of the subjective kind, to back up those two notions. The only defendable fact here is that YOUR turntable, which is a belt drive of a certain type and construction, sounded best with a platter of a certain minimum (high) mass when auditioned by you and your colleagues. (I don't know whether you made measurements of frequency response or speed stability that could be adduced to strengthen your case as regards your turntable, but if you did, I would be interested to see same. I am assuming your conclusions are based on subjective listening tests.) Now I can go bang my head against the wall, because my favorite football team just once again pulled defeat from the jaws of victory.
Sorry, here is complete URL:

http://archive.ncsa.illinois.edu/Classes/MATH198/townsend/math.html
Dear Lewm, dynamic mass of a TT is certainly important, as it adds considerably to its inertia (and is thus a matter too of the "geographical" dispersion of that dynamic mass in the horizontal distance to the "eye of the hurricane" - i.e. the bearing center), but in absolutely no way it adds to the mass "seen" by the record or stylus.
Why ?
You are standing on planet Earth - right?
Whether our planet spins or not doesn't alter its total mass.
Especially not the difference in mass between you and mother earth.
Now - if you jump from firm solid rock ground it will be different as if you'd jump from a suspended wooden floor and the landing will be different too - right?
Do I need to say more ?
I know that there are very few "physical facts" in audio life were audiophiles can agree upon, but can we agree on that?
Dear Lewm, again - ALL OTHER FACTORS are identical. Force vector of stroke, felt, air, humidity, everything except the thickness of the slate.
This elaborate analysis you found is what it is - a nice mathematical analysis of the forces, speed, impacts and angles occurring during billiard. It has nothing to do with the model we are talking about.
On the other hand I am certainly on no mission (as I do not believe in missions at all..) to convince you or anyone else.
If you do not agree to that model and to that principle of static platter mass and its contribution to undistorted tracking on the record you have a) a good large party on your side and it is b) totally fine with me.
As I mentioned before - just forget my silly ideas and model, don't bother anymore and continue as before.
Neither you nor anybody else have to accept nor buy that idea.
I certainly have no problem, but simply want to repeat one last time: ... ALL other factors (including the felt..) in that model are identical (just think about this for a moment - it tells the whole story - factor-elimination! - and it requires far less time than looking for written papers via Google......).
For your consideration - the increased thickness do bring one other factor into the "game" which too does contribute to the decreased tracking distortion as well as to the "longer run" of the ball on the table (and you won't find that covered in the maths either.....). But it makes little to no reason to discuss the next point when the first factor is still clouded.
Well, - I was used all my life to think and act far away the mainstream.
You do not find fresh grass (neither for your cows nor for your racing horses... ) if you walk on paths and grounds hundreds have walked before.