Just a note regarding phono loading of the A90.
I initially had this set at 100 ohms but have now lowered to 47ohms. The difference can be startling - Al Di Meola's 'Alien chase on Arabian Desert' sounds awesomely huge and full of impact and atmospherics at 47ohms. Put the loading back to 100ohms and the sound becomes slightly bigger, but somewhat looser, less defined atmosphere and positioning/shape of instruments, less impact and excitement.
100 ohms can 'goose up' some recordings that lack air and atmosphere but mostly sounds less correct to me. YMMV.
Interestingly, Paul Seydor of TAS loads his Ortofon Windfeld (which uses essentially the same motor as the A90) at 40ohms.
System Details
I initially had this set at 100 ohms but have now lowered to 47ohms. The difference can be startling - Al Di Meola's 'Alien chase on Arabian Desert' sounds awesomely huge and full of impact and atmospherics at 47ohms. Put the loading back to 100ohms and the sound becomes slightly bigger, but somewhat looser, less defined atmosphere and positioning/shape of instruments, less impact and excitement.
100 ohms can 'goose up' some recordings that lack air and atmosphere but mostly sounds less correct to me. YMMV.
Interestingly, Paul Seydor of TAS loads his Ortofon Windfeld (which uses essentially the same motor as the A90) at 40ohms.
System Details