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Are linear tracking arms better than pivoted arms?

My answer to this question is yes. Linear tracking arms trace the record exactly the way it was cut. Pivoted arms generally have two null points across the record and they are the only two points the geometry is correct. All other points on the record have a degree of error with pivoted arms. Linear tracking arms don't need anti-skating like pivoted arms do which is another plus for them.

Linear tracking arms take more skill to set up initially, but I feel they reward the owner with superior sound quality. I have owned and used a variety of pivoted arms over the years, but I feel that my ET-2 is superior sounding to all of them. You can set up a pivoted arm incorrectly and it will still play music. Linear tracking arms pretty much force you to have everything correct or else they will not play. Are they worth the fuss? I think so.
mepearson
dertonarm
1,042 posts
 
Mark, I would just give the Triplanar, DaVinci, new Ortofon as well as the Phantom II a good listen. These are current production and while not featuring the tightest and most rigid bearings in tonearm history, all four are capable to outperform each and every linear tracker in terms of speed, detail and inner punch in the lower registers. Precisely set-up their maximum derivation from zero tracking error is smaller than 1.6°.
Great contenders from days gone by ( see used market ) - with tighter and more rigid bearings than any of the above current production - are Technics EPA, Micro MAX, SAEC 4xx and most notably (no surprise...) Fidelity Research FR-64s (this has the best energy handling and transfer of any tonearm).
These are all 10" tonearms.

D.
jwm
918 posts
 
Also look into the Basis Vector Arm. A. J. Conti use to distribute a well known linear tracking arm and he feels his arm sounds much better than a linear tracker.
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rauliruegas
13,122 posts
 
Dear Mepearson: This " humble " Audio Technica 10" tonearm is a winner and IMHO better than the vintage Technics and Fidelity Research ( that I own. ), it competes with any pivoted tonearm out there. Btw, I'm using it and is a current model:

http://www.audiogon.com/cgi-bin/cls.pl?anlgtnrm&1270496166&/Audio-Technica-1503-Mark-III-l

if you want it new you can find it here:

http://www.audiocubes2.com/brand/Audio-Technica/product/Audio-Technica_AT-1503_IIIa_Transcription_Universal_Tone_Arm.html

Regards and enjoy the music,
Raul.
darkmoebius
900 posts
 
How about the Dynavector DV-507 mkII? How does that, and it's "Bi-Axis Inertia Controlled Dynamic Balance ", rate against the other top pivoted arms?
darkmoebius
900 posts
 
02-19-10: Rauliruegas
This alone characteristic where IMHO the pivot tonearms are superior makes a difference: this bass range frequency is the foundation of the music and it is here where tiny differences makes the difference of course if we own a system that can play clean in that bass frequency range.
02-19-10: Mepearson
Well Raul, I own a system that "can play clean in that bass frequency range."
While many of us may have components capable of producing these low frequencies - I'd guess very, very, few have rooms with dimensions and/or extensive acoustic treatments that allow the accurate reproduction of those lower frequencies.
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