Are linear tracking arms better than pivoted arms?


My answer to this question is yes. Linear tracking arms trace the record exactly the way it was cut. Pivoted arms generally have two null points across the record and they are the only two points the geometry is correct. All other points on the record have a degree of error with pivoted arms. Linear tracking arms don't need anti-skating like pivoted arms do which is another plus for them.

Linear tracking arms take more skill to set up initially, but I feel they reward the owner with superior sound quality. I have owned and used a variety of pivoted arms over the years, but I feel that my ET-2 is superior sounding to all of them. You can set up a pivoted arm incorrectly and it will still play music. Linear tracking arms pretty much force you to have everything correct or else they will not play. Are they worth the fuss? I think so.
mepearson
Remembers me to the day from my good old times when I was asked after listening to the Goldmund Reference with the T3F Arm which Cartridge I would mount in that Arm? Goldfinger, UNIverse, Olympos or even something more expensive????
My answer was "Go for the cheapest one or to that one you hate most".
I saw the movements from that Arm and the smeared soundstage was one of the results.
But honestly, I guess, that was not the answer the other one wanted to hear :-)
Excentric records kill all theoretical advantages of passive linear trackers. Doing simple math, you can see a side force as large as up to 1.0 gramm peak applied to the cantilever when say, 200 gramm of slider+arm mass is driven by 1 mm out-of-center record. Cantilever ealisy moves more than 1 degree from centerline under such force. In perfect world of ideal records, when the arm moves accross the record with virtually no acceleration, high lateral mass is a good thing, allowing needle to follow groves while the arm stays steady due to high inertia. From my personal experience with 120 g air tracker, 1-1.5 mm eccentricity is pretty audible, not to mention lead-out groove, where cantilever bouncing becomes scary.
Well, after starting this thread and reading everything everyone has written, I have decided to give pivoted arms another shot. After numerous emails with Dertonarm, I have decided to buy a Fidelity Research FR64s tonearm. I know Raul thinks the AT is superior, but based on its low resale value, I decided against it. If for some reason I decide I don't like the FR, I am confident I can get my money back. I am looking forward to all of the parts coming in (I bought the arm, a new TNT armboard from VPI, and a NOS Orsonics headshell). It is my hope that this combo will sound better than my ET-2 in all parameters. If it does, I will gladly sell the ET-2 and be done with linear tracking arms once and for all. Since the arm is coming from Australia, the headshell from Hong Kong, and the armboard from VPI, it will be awhile before everything arrives. It should be interesting and I hope worthwhile. There must be a reason why the FR64s has a cult following and the value continues to climb.
Livemusic, Good point about lateral mass. I have lately started using a Dynavector tonearm, which is deliberately designed to present a high mass in the horizontal plane. I can only say it is a great sounding tonearm with lovely bass response. However, I think the possible negative effect of high mass in the horizontal plane is ameliorated (at least) by the pivoted design of the Dyna tonearms.
In terms of trackability and distortions, not neccesary.
In terms of sonic performance, not neccesary.

I am inclined to think an air-bearing linear arm could sound better than a DC-servo one. There are some good designs during the past few years.

Dan