Are linear tracking arms better than pivoted arms?


My answer to this question is yes. Linear tracking arms trace the record exactly the way it was cut. Pivoted arms generally have two null points across the record and they are the only two points the geometry is correct. All other points on the record have a degree of error with pivoted arms. Linear tracking arms don't need anti-skating like pivoted arms do which is another plus for them.

Linear tracking arms take more skill to set up initially, but I feel they reward the owner with superior sound quality. I have owned and used a variety of pivoted arms over the years, but I feel that my ET-2 is superior sounding to all of them. You can set up a pivoted arm incorrectly and it will still play music. Linear tracking arms pretty much force you to have everything correct or else they will not play. Are they worth the fuss? I think so.
mepearson
Darkmoebius - and high-end went back all the way to the 1920/30ies and today you have 18W SE-Amplifiers (Lamm, WAVAC etc.) and super expensive full-range drivers and speakers which usually do outperform a Linkwitz-filtered 4 way speaker with a cross-over so complex that what the amplifier actually sees, is not a coil or a "load" but a black hole.....
Same with tonearms (hurray - we are back !!) - there are 30 and 40 year old designs which still can teach most "modern" designs a few things and do.
03-18-10: Dertonarm
Darkmoebius - and high-end went back all the way to the 1920/30ies and today you have 18W SE-Amplifiers (Lamm, WAVAC etc.) and super expensive full-range drivers and speakers which usually do outperform a Linkwitz-filtered 4 way speaker with a cross-over so complex that what the amplifier actually sees, is not a coil or a "load" but a black hole.....
Same with tonearms (hurray - we are back !!) - there are 30 and 40 year old designs which still can teach most "modern" designs a few things and do.
Yes, being a SET and high(ish) efficiency owner, I agree. But a lot of the high-end seems follow an inverse law to what Syntax said above
03-17-10: Syntax
No audio product has ever succeeded because it was better, only because it was cheaper, smaller, or easier to use.
I'm not sure, but I don't think there were the financial equivalent(adjusted for inflation) of $300k Goldmund Reference Turntables, $250k Transrotor Argos TT, $700k Wisdom Audio Infinite Grand speakers, $500k Moon Audio Titan speakers, $375k Goldmund Telos amplifer, $255k Wavac SH-833 amplifier or anything like this website sells

Seems to me that the highest end has gotten more expensive, larger, and not much easier to use. Some of the components at the link above don't seem too easy to setup or use.

In general, though, Syntax's quote applies to just about everything technological - TV's, computers, commodity audio, cameras, etc.

Darkmoebius "Seems to me that the highest end has gotten more expensive, larger, and not much easier to use. Some of the components at the link above don't seem too easy to setup or use."

Agreed. I used to enjoy ogling ultra expensive gears, much like pornography to audiophiles. But I no longer get that kind of pleasure anymore and much of what I see is vulgar and decadent. If a piece of gear is art, I still see it as functional art that should still serve a purpose, much like a well designed architecture. But I am seeing less of the functional part and much like a jumble of expensive parts put together to impress than to express. Very soon we will have a paper plate manufactured by Tiffany.

I don't have problem with people enjoying them much like people looking at luxury car magazines. And once a while there are few products that are innovative and really have something to say and keep my interest. For the most part, I don't even have the urge to go to a dealer to check it out in person. And not to mention confronting the snobbery of most dealers. Again, it's just me. Maybe I am getting old...

Sorry to be so off topic. My apologies.

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Their list of amps is incomplete :)

It does seem as if a lot of 'advances' in technology are a sort of race to the bottom: mp3, and CDs to name a couple we are all familiar with. Many of the changes I saw in 'hifi' receivers over the years (I used to run a service shop) were changes made simply to reduce shipping and assembly costs.

Other technologies are moves forward, like when overhead valves supplanted side valve (flathead) technology in internal combustion engines.
Dear Darkmoebius, in teh early 1930ies you could order from H.H.Scott a "Quaranta". If you did so - and included all possible features including your own recording device with cutting lathe... - it would have cost you US$5000+ in the early 1930ies.
Compared in status and buying power of the day it surpasses anything that is marketing today just to fulfill the demand of some east asian audio collectors to show off their wealth within their peer group.
There were always options to spend real big money on audio. You could get AEG/Telefunken/Siemens or ERPI WE Mirrorphonic to built and set-up a cinema-like audio set-up in your private home. Things like these were done both sides of the Atlantic in the years between the 2 big wars and they did cost more than any of us could possibly imagine.
The world was there before any of us - there is nothing new today - just more hype, less seriousness (in design - not in talking about...), less education and less background in audio.