Which low output MC cartridge


I am in the market for a low output moving coil cart for my Rega P5. I have recently added upgrades from Groovetracer and an HRS record clamp. I am using a Creek OBH-15 Phono pre and now want a low output mc cartridge for under $1,000. I am currently using the Denon DL-103SA, but want to try one other to switch with. I am thinking about either the DL-304, Kontrapunct A, Dynavector 20x or 17 D3. There are also a couple of Ortofon's in the category including the Rondo Blue and Bronze, which I have never read anything about. I know this is a wide range, but they are all in my price range and I am only getting one. Anybody familia with these cartridges who has an opinion (thats a pretty ironic thing to ask in an audiophile forum) on another good match with the Rega, please give me your advice. I am going to live with this for a while, although I have said this about many other pieces of hi-fi detritus that is languishing in my dloset. Thanks in advance.
jhartbirdman
This is just my opinion, but I would put that $1K towards a better phonostage if it was my money. Something like a used Simaudio LP5.3 would be a bigger improvement than adding a better cartridge with the Creek you are using now.
I've had the both phonostages.
The Ortofon Kontrapunkt is high compliance,and the Denon DL 103 is low compliance.One of these carts is likely unsuitable for your arm.
Agree with Tom hankins. Making the jump to LOMC without a suitable table, arm and (especially) phono stage is a classic error.

I currently own a $5K LOMC, a $2K LOMC and a $200 MM. Are the LOMC's better? Yes, but only in a suitably matched system.

It's fair to say my phono stage, table and arm are well above the level of yours. But if I dropped even one of them to the level of a Creek my LOMC's would become unsatisfactory. The MM would become the better sounding cartridge. I know because I've made that journey.

Unless money is no object and you plan on upgrading everything, the optimal bang-for-buck upgrade order is usually:
- Table first
- Phono stage a close second (but first if using an LOMC)
- Tonearm third
- Cartridge a very distant fourth

This is my experience but it certainly isn't my idea. Linn has been espousing this hierarchy for 30 years, because it works.