Have many decks, technics, tascam, teac, sony. In addition to the commercial seven inch pre-recorded tapes, I have a large library of ten inch pre-recorded tapes that were used in radio stations. These latter tapes include Drake, Century, Media General, Radio Arts and AFRTS. The quality of the tapes are all over the lot. The AFRTS among the best, as the government spent big bucks to produce them, some of which have almost 55 cuts on a track, and with auto reverse cueing the tape can go for hours and hours. On the seven inch tapes the Barclay Crocker are the best. Analogue still lives.
I have heard the Tape Project tapes at the CES and they are truly great, sound wise but not value wise. So, to get started with a modified Technics 1500 and some software you are talking $5K plus.
I caution newbies that decks are expensive to maintain as parts are hard to find. My advice is skip reel to reel and invest in blu ray audio media, which I think is the future. The transfers from the original master tapes are being done by many labels now, including the soon to be release Miles/Blue which will be the original three track mono, without a mix. Given a listen to the latter blu ray and I think you will forget about reel to reel.
I have heard the Tape Project tapes at the CES and they are truly great, sound wise but not value wise. So, to get started with a modified Technics 1500 and some software you are talking $5K plus.
I caution newbies that decks are expensive to maintain as parts are hard to find. My advice is skip reel to reel and invest in blu ray audio media, which I think is the future. The transfers from the original master tapes are being done by many labels now, including the soon to be release Miles/Blue which will be the original three track mono, without a mix. Given a listen to the latter blu ray and I think you will forget about reel to reel.