What MC for $1,000-$2,000?


Well, call me surprised when my Quatro Signature II woods didn't like my new DENON 103-R. It ate it alive and spit it out like so much wood from a wood chiper.

The bass was decent, with nice punch. But from there it wasn't so good. Weak imaging (on Vandersteen Quatro's!), midrange was cloudy and had no depth at all. Cat Stevens sounded like cardboard. He sings from down in his chest, but the DENON comes across FLAT as AM radio. The highs were depressed in dynamics and extension. No amount of stylus rake angle (some call this VTA, but it isn't) or stylus pressure ETC changed the basic sonic signature. I had a 103D model that sounded good on my Dhalquist DQ-10's with morror imaged KEF tweeter mods and dual DQ-1W subs, so I went with what I thought I knew. I know NOTHING!

I re installed my thirty year old Accuphase AC-2 and WOW, is that a nice cartridge or what, compared to the Denon 103R on Quatros. EVERYTHING just opened up. Bass was tight and lost the too warm sound, the mids were precise and stood in space with tons of air and ambience (strings are stunning). The highes are fast and open. In short, this was a good cart. It seems to have a left channel acting up so I need to consider a replacement. No matter where I set the AC-2, it was simply worlds away from the 103R.

The problem with the Quatro's, is that they are so good at what they do for the price that you seem to really, really, need to spend on a pick-up that can match their abilities. Way more than I expected! The DENON 103R is not a bad cartridge at all, it just limits what the Quatros can do, and the AC-2 let me know that in spades that performance is being left on the table, rats. Sure, it would be nice to change cartridges until I can't hear a change anymore, and KNOW that the speakers are now the limiting source, but I can't do that. Its hard to audition a cartridge at all.

So what are you guys and gals using with high definition speakers? I looked at a Dynavector KARATE 17DS that seems like a possibility. Worse, is that I have no real reference for WHERE the AC-2 stands in general timber to what's out there. It sure is good sounding on the Quatro's, that's for sure. The AC-2 isn't "warm" but past that I'd say it was tight and fast, with an extremely open mid on up. What's available that matches that description?

This can get plenty frustration, as the cartridge is probably, I say definitely, every bit as important as your speakers, but with almost no real way to audution them.

I use;
Sim Audio LP-5.3 MC/MM pre amp
Ariston RD-IIs Turn Table
SME series III tone arm
McCormack DNA-225 amp
McCormack MAP-1 pre amp
Quatro Signature II woods
OPPO BDP-83SE CD unit.
rower30
add Lyra Argo to your list. IMHO imaging champion on the price range you've mentioned.
>>This can get plenty frustration, as the cartridge is probably, I say definitely, every bit as important as your speakers
Rower30<<

Not a chance.

Actually, the table and/or tonearm are more important than the cartridge.
I agree with Dover - there's probably no point installing a modern high end MC cartridge on that old low-mass SME arm - it wants to see a high compliance cartridge and today's moving coils are primarily medium to low compliance. You need to upgrade the arm - I'd go for a used SME309, Rega or Origin Live arm with whichever Dynavector cartridge then falls into your budget.
Well here are my thought so far;

1.0 The change from the 103R to the AC-2 in the same table is night and day in clarity. The SAME set-up on both. I'd be hard pressed to say that the T.table and tonearm is the "major" culprit. Minor, yes, major, no. I am not hearing minor nuances in sound. It's like a pair of JBL L36's verses Advents. The room, stands, speaker wire, or electronics won't swap what you prefer to hear.

The extremes of audio are fun, because they are so nuance that you can always feel right about, with the changes being so small as to be less significant overall. But if I change my speaker or cartridge...my wife will KNOW from the change in the fundamental nature of the stereo's sound. Has she ever heard wire, stands, line cords, platter mats, amplifiers...no, the nuances are too small.

Yes, a heavier arm is better for the MC pick-ups, but an AC-2 is not what I would call very "low" complinace. Yes, the DENON 103r is (about 1/3 as compliant). One of the major factors in all this is indeed the compliance of the cartridge more closely matching tonearm's range. So, I am looking to keep thing at or near the AC-2. I 100% agree that that detail isn't probably a detail.

The series III arm can be set-up to be more "massive" with additional counter weights and paddle sizes to get it to the "OK" range.

But to say a T.table outweighs a cartridge is like saying speaker stands outweight the speaker. They are important, but in no way have I EVER heard a magic T.table and tone arm make a mediocer cartridge sound good. SLIGHTLY better, but not a big jump to anywhere. Is the track more important than the runner?

2.0 True, MC cartridges break in some. What I hear is far from "break-in". The basic 103r signature is simply unacceptable long term. The sound is far and away from breaking in to even come remotely close to the AC-2.

3.0 I sold hi-fi for seven years through school, and I NEVER NEVER heard a great piece of gear sound WORSE than a so-so piece of gear that was benefitted by being stuck on a better turntable or wired better, or you name it. Yes, we tried, being dirt poor, to make a "super" system out of cheap designed gear. The better stuff stayed better, and the so-so stuff got better but was never great. A crappy piece of gear doesn't turn like magic with the right cable, platter cover, stand, line cord ETC. Improve, yes (sometimes) but there are no leaps in sound that eclipse the mechanics at each end.

4.0 A speaker or cartridge (yes, with the the tone arm) is a hugely mechanical device limited predominantly by its built-in mechanics. You can't change that. About all you can do is provide a basis to allow what is there to be the best it can be (tonearm). But, most of what you hear is built-in to the cartridge (especially sonic timber, which is as much a material puzzle as mechanics, they tend to go with one another).

My Quatros "broke-in" over time, but trust me, they NEVER sounded like my 1979 B&W 801's. I don't care what I do to either speaker, they are not going to marry the same sound, ever. Oh you can do things to make either better, but far from the same.

A good cartridge will sound better on an ideal set-up, but it will still sound basically very good on what I have today. The bath water doesn't make the baby.