With vinyl becoming all the rage, many believe (perhaps mistakenly) that a budget of $1K will allow them to bring their analog front end up to par with their digital. I would like a reasoned assessment of this issue.
How much time, money, and expertise do you think is necessary before one can seriously claim that their analog front end can compete with their digital? What characteristics, if any, are simply incommensurable between these two mediums? Let's use my system as an example.
Personally, I tried to build an analog front-end that focused on texture/warmth (as opposed to dynamics), but I still feel as though something is missing. Trouble is, I can't quite put my finger on it. I'd be grateful for comments/suggestions (system in sig)
my 10 and 8 yr old are both good to un-que the record, move the arm to the rest, remove the periphery ring, flip the record, clean the record, and place the cartridge on the first track of the record, missing the periphery ring.
Daddy is so proud!!
Both girls by the way, I agree with Nrenter, trust them more.
Young people stand and just stare at my ancient rig with it's Christmas tree lights and spastic analog meters. "You mean all that sound comes out of THAT"? All '70's stuff, Pio. SX-1980, Tech. SP-15 TT/EPA-250 TA, SP-25/Infinity Black Widow backup TT. After a brief flirt with mo-dern MC carts., a venerable Grace F9-E and a $45.00 NOS Acutex cartridge are now favorites. $3500, cost of a new car then or currently obtainable for the equivilent of the same old "beater" now. Experienced others laugh about the antique gear until they listen, for 30 years my musically induced smile has been the Chesshire Cat-like same. A modest Rega Saturn CDP gathers dust, digital is for the ride where on a twisty road I don't really care if my music is reconstructed in teeny little irritating bits.
If cost is your concern, I suggest you'll find good value in vintage equipment.
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