When does analog compete with digital?

Judging by the volume of responses, I was correct is my estimation that this might be a touchy subject...

It was interesting reading everyone's responses. Thank you to those who have contributed. Just to reiterate, I presently have NO intention of swapping out any components or experimenting with any 'tweaks' until I move the system to a more hospitable listening environment (just a few months away). I know without a doubt that my biggest obstacle is the room - reflective walls and speaker placement, being the most troublesome. Alas, that is beyond my control. Life happens.

That said, I'm always a bit skeptical when I read about the importance of isolation platforms. The speaker stands are spiked and, when playing a low volumes, there is very little vibration (if any) that would travel up the desk. Besides, in a tiny listening environment of 10x11, I would think airborne vibrations would be a greater problem. In which case, wouldn't the isolation platform be obsolete? I was told that isolation platforms, contrary to what some here have written, are a final tweak. It is only when everything else has been properly executed that one can hear the difference proper isolation makes. Thoughts?

I know experience is paramount to achieving optimal analog playback, but it's a bit difficult when you have no one to instruct you on proper procedure/maintenance. How would someone new to the hobby become an 'expert', so to speak? I invested quite a bit in my current rig, so I don't feel comfortable letting my clumsy fingers manhandle the thing. I've tried hunting around garage sales for an old TT to practice on, but no luck so far. Are there any (free) online resources that may be of use? Given all the conflicting information out there, it's difficult to siphon the truth from the BS. I kind of wish I could enrol in a course or something... just so I know the instructor is knowledgeable. I really hate relying on local dealers for simple things such as mounting a cartridge.

Jferreir,
As to isolation being a final tweak or a basic setup issue, it depends on your environment. It is not only speaker noise which matters. Buildings have resonance. Some of it is earthbound, some of it is how buildings react to outside elements. Some of it is how buildings turn noise in one place into vibration in other places. Part of it depends on where you live. If you live in the countryside on the eastern seaboard, far from roads, you may have little worry. If you live in a city, or in a region affected by earthquakes, you will find that buildings tend to resonate slightly most of the time. It is kind of creepy.

As for online resources, check the FAQs on Audioasylum.com, Also, if you find conflicting information on these resources, raise the question about which should be trusted on Audiogon or over at Audioasylum. How does a newbie become an expert? Practice.

In regard to isolation. A turntable is the most sensitive component in the whole system.

When people say that isolation should be addressed last, it is because they probably don't have a turntable.

If your room sits on a concrete slab then that helps alot. If it has a suspended floor then a wall shelf would most likely work better.

After you finished 2 bottles of Barolo!

Macdadtexas,

It looks like the 2012 M5 will be approaching that sub 4 second mark!

BTW..although I am born and bred New Orleans, my Alma Mater is in a town 300 miles northeast of here named Tuscaloosa. You folks in Texas may be a little familiar with it. I can't, therefore, in good faith agree with your kind gesture of "Geaux Tigers".

Roll Tide Roll,

Pepe