Dear Curio: The tonearm effective mass certainly is important but IMHO the build material ( arm wand/headshell ) and the " signature " resonance along the cartridge body build material is critical.
The Ziricote and Red Cedar even than both are wood I think that's its signature with the cartridge performance sound is different and the only way to know if you will like it is that you hear both ( wood arm wans. ) in your system.
I totally agree with Geoch: we need ( first than all. ) the best source we can get and then matched tonearm.
The LP is very fine cartridge but maybe with a wood tonearm there is to much of the same.
In your system there is no way that any of us could give you a precise advise about tonearm. With any cartridge ( in your saystem ) IMHO you have to test several tonearms till you find the right for you.
In the other side I'm saying that assuming that each one audio link in your system is neutral, accurate, matched and with right overall set up. If not then as Geoch point out could be other " factors " where you now are hearing its " influences " when before you was unaware: if this is the " probelm " well you need to solve identified where comes those " colorations/distortions " and try to fix it.
A tonearm IMHO is a tool and must be ideally a neutral tool with out itself sound/colorations/distortions to make more easy the cartridge match. This is more easy to say it that to find out.
Today, outside/commercial is there a best tonearm?, not yet there are several very good designs and that's all. What we can find is a best cartridge/tonearm combination and what IMHO you are/should looking for is that tonearm that could help your LP cartridge can shows at its best and this is a " job " that needs time, patience, know how and opportunities to bring/have different tonearm " on hand ".
Of course this is if you are looking for Excellence level.
Regards and enjoy the music,
Raul.
The Ziricote and Red Cedar even than both are wood I think that's its signature with the cartridge performance sound is different and the only way to know if you will like it is that you hear both ( wood arm wans. ) in your system.
I totally agree with Geoch: we need ( first than all. ) the best source we can get and then matched tonearm.
The LP is very fine cartridge but maybe with a wood tonearm there is to much of the same.
In your system there is no way that any of us could give you a precise advise about tonearm. With any cartridge ( in your saystem ) IMHO you have to test several tonearms till you find the right for you.
In the other side I'm saying that assuming that each one audio link in your system is neutral, accurate, matched and with right overall set up. If not then as Geoch point out could be other " factors " where you now are hearing its " influences " when before you was unaware: if this is the " probelm " well you need to solve identified where comes those " colorations/distortions " and try to fix it.
A tonearm IMHO is a tool and must be ideally a neutral tool with out itself sound/colorations/distortions to make more easy the cartridge match. This is more easy to say it that to find out.
Today, outside/commercial is there a best tonearm?, not yet there are several very good designs and that's all. What we can find is a best cartridge/tonearm combination and what IMHO you are/should looking for is that tonearm that could help your LP cartridge can shows at its best and this is a " job " that needs time, patience, know how and opportunities to bring/have different tonearm " on hand ".
Of course this is if you are looking for Excellence level.
Regards and enjoy the music,
Raul.