Dear Lewn
I will post a link to some pics later that will answer your questions.
It is all very simple actually. The flexibility to setup arms when not restricted by a plinth is huge. You can move the table in place and not touch the arm if you wanted to. I discussed and exchanged the ideas and pics of the ET setup with Bruce as well. Hearing is believing as they say.
Standard is a very strong word – to me it implies constraints and rules to follow- this is a hobby about passion and enjoyment – constraints and rules don’t fit in - lets use guidelines.
Manufacturers have to follow standards and guidelines for their products. its up to us as users to push those guidelines (common way of doing it) then the demand follows if it’s an idea that works and manufacturers have to change. Look I could be in a plinth again - who knows – all I know is I am enjoying my music and not worrying about whether I "did" the right thing.
Regardless –I have learned that the table itself is 3rd in line of importance. Once you have solid reliable platter speed have dealt with motor vibrations and the sp10 has NO RUMBLE by design you are good to go.
This setup I think further isolates more so the arm and cartridge which are 1 and 2 in importance to me from any motor vibrations. I see more and more high end manufacturers using arm pods now and I think you will see more to come. I think my sound improvement was because the arm is no longer on the same base where the motor is turning where it picks up more vibrations regardless. So the sp10 in the plinth or not is not the issue here. You can still put the sp10 itself in a plinth if u want – but aren’t u adding another layer or stage then.
Look I also have a VPI TNT with another ET arm and I did ab testing with both the sp10 in the plinth and the TNT. They both make beautiful music.
I will post a link to some pics later that will answer your questions.
It is all very simple actually. The flexibility to setup arms when not restricted by a plinth is huge. You can move the table in place and not touch the arm if you wanted to. I discussed and exchanged the ideas and pics of the ET setup with Bruce as well. Hearing is believing as they say.
Standard is a very strong word – to me it implies constraints and rules to follow- this is a hobby about passion and enjoyment – constraints and rules don’t fit in - lets use guidelines.
Manufacturers have to follow standards and guidelines for their products. its up to us as users to push those guidelines (common way of doing it) then the demand follows if it’s an idea that works and manufacturers have to change. Look I could be in a plinth again - who knows – all I know is I am enjoying my music and not worrying about whether I "did" the right thing.
Regardless –I have learned that the table itself is 3rd in line of importance. Once you have solid reliable platter speed have dealt with motor vibrations and the sp10 has NO RUMBLE by design you are good to go.
This setup I think further isolates more so the arm and cartridge which are 1 and 2 in importance to me from any motor vibrations. I see more and more high end manufacturers using arm pods now and I think you will see more to come. I think my sound improvement was because the arm is no longer on the same base where the motor is turning where it picks up more vibrations regardless. So the sp10 in the plinth or not is not the issue here. You can still put the sp10 itself in a plinth if u want – but aren’t u adding another layer or stage then.
Look I also have a VPI TNT with another ET arm and I did ab testing with both the sp10 in the plinth and the TNT. They both make beautiful music.