The 324's MM facility would certainly seem to have more attention lavished on it than is usually the case with high priced MC-capable phonoamps. This leaves me the possibility of trying a good MM or MI cart, or using an outboard SUT -- disappointing as that may seem after purchasing the 324 with its onboard SUTs. (But if it sounds better...)
As far as characterizing the overall sound goes, given the inevitable big differences among partnering carts and turtable setups, other than saying that, hum aside, this is far and away the most accomplished phonostage I've personally owned (but that's not many), I'll just restrict my comments to the particular issue I'm having with it. Fortunately, my current medium-output MC cart normally works best at the lowest-gain "40 ohm" tap setting, where the hum isn't really a problem in practical terms. But it does rankle me not to be able to utilize the lower-impedance taps if I want without the hum increasing, and I'm reluctant to make archival recordings knowing the hum is there and audible during silences and between cuts if you crank it up.
I'm going to contact Dan Meinwald and see what he has to say, but if the problem does lie in the step-up transformers themselves, or their proximity to the 324's power supply, I don't imagine anything could really be done to fix this. Interestingly, I dug out the 2004 Art Dudley Stereophile review, and although the reviewer doesn't mention anything about hum, in his measurements section John Atkinson does mention a degree of 120Hz hum he couldn't eliminate by playing with the grounding. Furthermore, with the MC step-up taps at their lowest-gain "40 ohm" setting (the only one of the three MC-loading settings he reports on regarding noise), he measured about twice the drop-off in S/N ratio between A-weighted and unweighted figures for MC mode as he found in MM mode -- a differential (of around 6dB) I'm assuming has got to be mostly due to a corresponding increase of LF hum in MC mode, and that might well have worsened if he'd also taken S/N measurements at the "15 ohm" and "4 ohm" tap settings.
As far as characterizing the overall sound goes, given the inevitable big differences among partnering carts and turtable setups, other than saying that, hum aside, this is far and away the most accomplished phonostage I've personally owned (but that's not many), I'll just restrict my comments to the particular issue I'm having with it. Fortunately, my current medium-output MC cart normally works best at the lowest-gain "40 ohm" tap setting, where the hum isn't really a problem in practical terms. But it does rankle me not to be able to utilize the lower-impedance taps if I want without the hum increasing, and I'm reluctant to make archival recordings knowing the hum is there and audible during silences and between cuts if you crank it up.
I'm going to contact Dan Meinwald and see what he has to say, but if the problem does lie in the step-up transformers themselves, or their proximity to the 324's power supply, I don't imagine anything could really be done to fix this. Interestingly, I dug out the 2004 Art Dudley Stereophile review, and although the reviewer doesn't mention anything about hum, in his measurements section John Atkinson does mention a degree of 120Hz hum he couldn't eliminate by playing with the grounding. Furthermore, with the MC step-up taps at their lowest-gain "40 ohm" setting (the only one of the three MC-loading settings he reports on regarding noise), he measured about twice the drop-off in S/N ratio between A-weighted and unweighted figures for MC mode as he found in MM mode -- a differential (of around 6dB) I'm assuming has got to be mostly due to a corresponding increase of LF hum in MC mode, and that might well have worsened if he'd also taken S/N measurements at the "15 ohm" and "4 ohm" tap settings.