I am glad somebody brought this up.
I was thinking about starting a thread on the lack of quality of audiophile pressings these days. I have some from several different labels including Classic and Rhino that are way below the quality that we used to get from MoFi and Sheffield in the 70's and 80's. I have Coltrane Jazz from Rhino that is very noisy. I was busy and never returned it. By contrast, I have an original MoFi of Dark Side Of The Moon that is quiet. My fairly recent Close To The Edge from the small label Friday's Music is quiet. The bigger audiophile labels need to do better and we need to hold their feet to the fire.
And my hearing or my system is not particularly susceptible to surface noise these days. My Kleos is quieter due to it's line contact stylus than my Shelter but some of these releases have loud pops and other anomalies.
Hang in there,
Robert
I was thinking about starting a thread on the lack of quality of audiophile pressings these days. I have some from several different labels including Classic and Rhino that are way below the quality that we used to get from MoFi and Sheffield in the 70's and 80's. I have Coltrane Jazz from Rhino that is very noisy. I was busy and never returned it. By contrast, I have an original MoFi of Dark Side Of The Moon that is quiet. My fairly recent Close To The Edge from the small label Friday's Music is quiet. The bigger audiophile labels need to do better and we need to hold their feet to the fire.
And my hearing or my system is not particularly susceptible to surface noise these days. My Kleos is quieter due to it's line contact stylus than my Shelter but some of these releases have loud pops and other anomalies.
Hang in there,
Robert