Turntable chassis, motor drive (idler, direct, belt), bearing, platter, armboard, tonearm, headshell and cartridge make an analogue playback system - they are a unity and do influence each other. Looking on separated or single parts or combinations of parts will not help in the end to improve the overall capability of the system.
Maybe the importance of different plinth designs was a little overrated in recent developments using idlers or DDs and putting them into plinths of slate, special wood or other material. Many TT-designers did a good living by doing so. I do understand that audiophiles are getting a little tired of the plinth approach and switch to the other extreme. Focusing mainly on
tonearms and cartridges might be another misleading direction. Indeed we should concentrate on geometry, isolation where needed, careful installation and the quality and flexibility of armboards used.
Micro Seiki uses armboards made of brass which are very rigid and do enable the user to match all requirements in terms of geometry. Other brands of today have copied this philosophy - this is fine! But how many audiophiles are stuck in geometry problems when it comes to mounting a new tonearm. Sometimes one has has to build or order extra armboards
which are insufficiant.
A system should stay stable, free floating armboards bear risks of instable condition, especially when they are not real heavy weights or not placed on a special position on a special platform.
Maybe the importance of different plinth designs was a little overrated in recent developments using idlers or DDs and putting them into plinths of slate, special wood or other material. Many TT-designers did a good living by doing so. I do understand that audiophiles are getting a little tired of the plinth approach and switch to the other extreme. Focusing mainly on
tonearms and cartridges might be another misleading direction. Indeed we should concentrate on geometry, isolation where needed, careful installation and the quality and flexibility of armboards used.
Micro Seiki uses armboards made of brass which are very rigid and do enable the user to match all requirements in terms of geometry. Other brands of today have copied this philosophy - this is fine! But how many audiophiles are stuck in geometry problems when it comes to mounting a new tonearm. Sometimes one has has to build or order extra armboards
which are insufficiant.
A system should stay stable, free floating armboards bear risks of instable condition, especially when they are not real heavy weights or not placed on a special position on a special platform.