A Copernican View of the Turntable System


Once again this site rejects my long posting so I need to post it via this link to my 'Systems' page
HERE
128x128halcro
Halcro, points are a sort of mechanical one-way diode. That is they are fairly efficient at transmitting vibration in only one direction. So if your points are pointed *down* under your tone arm: welcome to your plinth, the anti-vibration platform.

Any good anti-vibration platform will have both 'acoustically dead' and 'absolutely rigid' as a mantra.

I agree that a bad plinth is likely worse than none. I've been down this path before- my turntable has been in development since the early 1990s. So the comments I've been making are based out of experience, not conjecture.

If you want to separate something, and if the 'table is not a direct-drive, then the motor might be a better candidate. However IME the vibration of the motor will be of no significance if the plinth works right.
Greetings Ralph,
my turntable has been in development since the early 1990s.
That sound exciting? I was wondering why no turntable designers were contributing to this thread?
Any clues as to which 'drive' model you're pursuing?
Atmasphere,

Just a quick question but for those of us using pneumatic footers, wouldn't that mean that the seperation of tonearm (including mount/armboard) from the nude TT represents the decoupling of both and the removal of a common plinth?

Kant demonstrated that the argument - "that might be true in theory but it is not in practise" - invariably pointed to the deficiency in a relevant theory. Maybe, if the common experience proves sufficient, we will find the reason why. That seems to be the way of progress!

Please accept my question as a genuine search for an explanation for what appears to be happening and all the best with your TT launch.

Halcro,

I have been playing with the detached armboard and note major differences in my analogue performance. Beyond question are improvements in staging and a more refined sound across the piece (I have been playing my TT at clearly increased gain levels, which I take as one sign of this). Bass is also far tighter and more detailed.

My Mambo armboard has three M6 screw holes in the bottom by which it is screwed onto the TT by an attaching rod (apparent as the armboards base in my System photograph). If I remove that attaching rod it will therefore be possible for me to use three spikes instead of the blue tac. I intend to try this out both because the blue tac approach has provided such marked differences and to see if this puts the debate beyond question.