A Copernican View of the Turntable System

Relax. When I'm trying to clean the LP with the Clearaudio carbon brush and the 24kgr platter stops !?!... I'm not complaining. I've accept the fact of this lousy TT long before my appearance here. Regrets ? You see this "old friend" priced for 28000 euro and the laughs by some cold souls of the "each his own" state of mind make my day allways. Now, how about to help others not to do the same mistake? I suppose everyone has the right to buy whatever he feels it's good for his ego. So, "each his own". That's Broadway!
BTW Τorque by Inertia? Why not use some air to maintain the platter's speed? The slippage is better controlled. Or should I limit my comments to wrong invest decisions?

exorbitance @ degradation NO MORE

Dear Daniel,
At least we agree that the perfect turntable has not yet appeared.....or at least I have not heard it?
That gives some optimism for the future........your turntable? :^)
Yet it depresses me to think that for 30 years the world of analogue was diverted by the Linn LP12 and others like the SOTA which effectively rendered useless the wonderful state of the art that had been reached in the 70s and 80s with the big Micros and EMTs and the now re-discovered great DDs of the Japanese giants?
If audiophiles are happy with the failings of poorly understood sprung belt-
drives......is there really hope for the future?

Dear Nandric,
ok - need to write in a more harmless way. Geoch was not intended as a teasing, nor the small motors. I only had a picture of you sitting in front of your Kuzma - forgive me!

small motors are cheap, don`t have large dimensions, easy to build in and to exchange. That`s all! Believe me. Today`s TT manufactures don`t go for the high priced & very unique parts. Why should they? - the platter is running and customers do believe if they will place five (small) motors in beautifully designed boxes around their TT it will run 5 times smoother and pretty exact.

NO TEASING @ NO FUN

No. No hope for the future. The amount of money that those JP & Swiss giants had invest in their time, has never find justice. The origin of withdrawn the Hi-Fi's market commercial balance is emerged by the low expectations of the new enthusiasts about the music reproduction. The conspiracy between audio magazines and some groups of splay hacks with the lust to become wealthy without hard work & initial capital, becomes the new order of industry that meet with success the manipulation of the masses. When the giants retired from the field, the "cheap & effective" way becomes the new Bible for TT. The purposeful meaning of which, is to offer just a small fidelity percentage (just like the iPod). It was more than expected the apperance of the bold & shining (but even more poorly designed & lousy executed) to become the new standard of this hustler status quo. Τhe Saskia, The Beat, & Daniel's new project, are more than careful studies on TT subject. The present world economy is ruthless for the investor who wants to explore the limits and takes care of everything in his project, but more so for the consumer who wants to buy a honest product. So, taking the liberty of pricing these projects in order to give some justice is not a hit or miss act anymore. It is the final destructive chapter of a lost cause. To say that these TT's are our last hope, implies the premise that we have the ability to purchase them in this life.

...is there really hope for the future?

No.