I actually spent some more time and effort in using Grahams's geometry and it does indeed sound better and more musical to my ears
Spot on. Exactly that's the reason why Graham owners can listen to the most demanding records without any distortions in the last 2 tracks. The second Nullpoint is not in the middle of a record, it is later calculated. Of course, when the main listening to records is with those after 1985 with narrow grooves and Limiters in the Mastering/cutting process it don't matter so much. But when listening to the full swing records from the Golden Age of Vinyl...
Bob Graham is a good example for doing it right.