Dear Geoch, be careful not to fall into a "trap" here: Löfgren B IEC is NOT a priori better for those records cut close to the inner label!
In fact Baerwald IEC does sport way lower distortions towards the inner groove compared with Löfgren B IEC.
Löfgren B is way better in the middle 3rd of the grooved area, but has it's highest distortion figures towards the cutting limit.
A very dangerous error if one thinks that Löfgren B is better for wide cut records - it certainly is not!
Löfgren B is all about lowering the average distortion figure - but it does so at the expense of the inner grooves.
If you want the lowest distortions possible in or towards the inner groove - which is wise BTW .... especially if you listen to symphonic music and have a large collection of records from the 1950ies and 1960ies - you should have a good look at Stevenson, as it puts the focus exactly on that: lowest distortions and zero error point at cutting limit.
This again is just a general guideline - not meant as a generalization.
Cheers,
D.
In fact Baerwald IEC does sport way lower distortions towards the inner groove compared with Löfgren B IEC.
Löfgren B is way better in the middle 3rd of the grooved area, but has it's highest distortion figures towards the cutting limit.
A very dangerous error if one thinks that Löfgren B is better for wide cut records - it certainly is not!
Löfgren B is all about lowering the average distortion figure - but it does so at the expense of the inner grooves.
If you want the lowest distortions possible in or towards the inner groove - which is wise BTW .... especially if you listen to symphonic music and have a large collection of records from the 1950ies and 1960ies - you should have a good look at Stevenson, as it puts the focus exactly on that: lowest distortions and zero error point at cutting limit.
This again is just a general guideline - not meant as a generalization.
Cheers,
D.