Sirius and Walker




Hi Folks:

I have first hand experience with the Walker turntable and, to this day, it's the finest I have ever heard. Can anyone compare the sound of the Walker with the Rockport with the same material? I'm very interested.

Thanks as always.

D.H.
CT Audio Society
www.ctaudio.org
danhirsh
Dear Danhirsh: After your last post: When do you will buy the Rockport or the Walker?

I ask because is weird that in your Agon virtual system you don't listed not only a single cartridge but no analog rig devices. So what's all about your thread?

Regards and enjoy the music,
R.
Dear Vicks and Hiho,
I have to admit I find this thread entertaining in a perverse sort of way. What would be the motive to denigrate the Sirius? It's not even any longer in production and is so lofty in cost as to be more of a theory to most of us than a reality. And to tout the Micro Seiki 8000 at the expense of the Sirius is equally pointless. Talk about a "fangroup". There is no snootier a fangroup than the ultra-exclusive MS8000 fangroup.

Yet, good detective work by Mr. Belchev, which reveals that Unoear has been publicly on both sides of the Sirius fence, does suggest that there is some skullduggery afoot. I say the butler did it in the kitchen with a spaghetti noodle.
Lewm, agree somethings afoot, big communication breakdown here. Nobody wins.
Yes, the Olympos shootout never came to pass...wonderful cartridge, just not a good fit with the RP tonearm. It came to light that this other fellow crashed his Olympos on his Rockport and it required sending the cartridge back to Lyra for a rebuild.
My intentions in this thread are sincere and admiring of both Walker and Sirius' contribution to analog. The reason why you do not see anything analog in my current system is that I made a decision years ago that I wanted to get digtal right (for me) first; then turn my attention to analog. My goals for analog are very clear. I work with pro gear all the time and have archival knowledge and I want my own personal system to have resolving and EQ capabilities as good as professional studio's, especially for 78's which I adore. I have the knowledge but not the funds and compromise is always inevitable. I have done so already with digital although I am very happy with what I am working with now. Analog I am less willing to compromise. I would rather wait to do it right the "first time" then go through multiple tables and multiple phono stages to reach an end result that is crystal clear in my mind.

Thanks.

D.H.