Lyra 'house sound'


I've read some posts comparing the Skala/Helikon and now the Kleos. One refers to the Lyra 'house sound,' - sonic signature, I suppose. Can anyone describe it ? I listen mainly to vocal recitals, opera, solo keyboard and chamber. Is it complementary to these genres ?

Also, is the Titan i worth the substantially extra cost, or is it a case of diminishing returns ?
dr_john
I am sure others will chime in also. I've owned a Lyra Lydian Beta, Helikon and 2 Skala's. As far as a house sound, I'd describe it as detailed, dynamic, great extension, power but with delicacy and finesse. The Skala has a drop of warmth that's very addictive for me compared to the Helikon (along with just everything else being better)

I have never heard a Titan, but my experiences with other Lyra's suggest not a diminishing return...they do get better as you step up. From what I've read the Titan i is even better at dynamics...

What arm, table, and phono stage are you using?

Good luck
It's not only 'house sound' that got me married to it it's also excellent tracking abilities. They do an excellent job for any kind of music you'd like to listen to. I own Micheel Gyro SE/Technoarm/Lyra Titan. Previously owned Lyran Lydian, Lyra Argo. Before Lyra I've owned Benz Glider, Benz M.09, Shelter 501.
That is a interesting question. First I thought, a quick answer is possible, but the more I thought about it...
Let‘s say it different, after all those years with them I think, most Systems aren‘t able to show their real potential. They have an excellent quality control, the specs are great (channel separation for example) and they have in general no „sound“. They are very detailed. Some say, they can sound thin and analytical but this is based on something totally different. The Lyras react very much with the linked comonents, specially the Tonarm. The better that one is, the more body, „Gestalt“, swing, PRAT and so on they will show. The cartridges are different to others. Others will go „to a Point“ and that‘s it from Performance. No matter what you do, they won‘t „tell“ you something new.
The Lyras (or most of them) do, specially the Titan i.
One of the best carts ever made, but unfortunately most will never know what this unit is really able to do. Most are mounted in Arms or Turntables which aren‘t first rate and their weaks are transmitted into the cartridge and amplified. Good Arm with excellent bearing, superior vibration transfer, isolated Armboard and a top Turntable without creating any vibrations back into the spindle and platter are mandatory.
Lyra has made some great carts, independent from price. Their new Delos is such a remarkable cartridge. I am still impressed, but I got one of the first series. Who knows, probably it was carefully controlled, but it is a real good one.
Most System owners try to compensate something in their reproduction („more bass...more warmth...less of this and more of that...“), most Lyras are straight in detail and speed. When it does not „fit“ most users reflect it in an opinion.
But an opinion has rarely something to do with rethinking own components.
Of course similar can be said to other brands, I had a lot, but there are differences. Some brands I don‘t buy again, but Lyra always was a Part of my System.
Thanks for asking. TriPlanar is my current arm; think I'll replace an old VPI Mark something with the Brinkmann Bardo. But the game-changer was the Shindo Giscours which I added last month - it made me re-think my whole analog front end, it's that good. This will be my first cartridge replacement since 1995 (I know, I know) and I want to get it right. I listen to vocals, solo keyboard, opera and chamber.