SME 20/3 or Oracle Delphi VI or Garrard 301


I am just about to buy a new table. I have happily owned an original oracle Delphi for 30 years! Choices are the new 20/3, Oracle Delphi VI or possibly a rebuilt Garrard 301. They all run about the same money.
The reviews and comments out there lead me to believe I will be better off using a non SME arm on the 20/3...I will probably go with a Graham Phantom. (I like the removable arm tube concept too) For now I will use my SME IV.
keep reading the SME detractors claim that the tables are lifeless. Not something you can accuse a Delphi of for sure. The HiFi News reviews of both tables are nothing short of glowing. As far as I can tell the Oracle is possibly more nimble and musical(?) while the SME is more "solid".
Your thoughts are welcom
mauidj
Many mahalos Syntax.
You have summed up my impressions from countless hours of research and questions on various fora.
While everyone has a different ear, perspective, system, environment musical taste etc etc...I believe a consensus can be arrived at after distilling all the data available on the internet....and I believe you have summed it up very well.
I am still listening to others' stories and advise but as each day passes I must admit I am moving slowly but surely towards the 20/3 with Phantom arm.
Not quite there yet.......
Just curious what your impressions are of direct drive units and the TW Raven which seems to have a loyal following on this forum.
Aloha!
Agree with Syntax, SME will be around forever to service this ( their main business is military equipment ), and with the new power supply/thicker chassis etc this is the bargain of the SME line. In many ways the SME IV is a better arm now that it has the same bearings as the V, but no damping/VTA whilst playing mechanisms that muddy the sound. I recall that Bob Graham used an SME 30 for a long time so I would be confidant the Graham is a good match.
Mahalo Syntax.
Do you know when they changed the bearing in the IV?
I purchased mine about 4 years ago.
Aloha!
This isn't a response as such to the original question but this thread like so many others ha evolved somewhat in an interesting direction and i'd just like to add something.

I bought a SME 20/2 last year at the end of the run of the Mark 2 which came with the charcoal coloured platter. I bought it without an arm as i had a SME IV arm that i'd been using on a SME Model 10 that i was going to use on the 20 and put another arm on the 10 which i'd kept for a second system. The cartridge was an Ortofon Cadenza Black. Over 6 months or so, as much as i liked the Model 20 i felt there was something holding it back but i couldn't put my finger on it. The Cadenza Black just wasn't giving me the excitement that an Ortofon Jubilee was when that was on the same arm but on the Model 10 turntable.

A new Ortofon AS212S tonearm came up for auction on Ebay so on a whim i bought it and ended up with it at half retail. Mounted on the Model 20 with the Cadenza Black hanging off the end it is a stunning combination with more detail, wider and deeper soundstage and all the usual audiophile cliches, but most of all is so much fun. I've never doubted the qualities of the IV arm but there is something in the synergy between cartridge and tonearm that makes all the difference.

Now if SME would put their skills to building a cartridge.............:>)