Thank you very much for your comments, Mike. I greatly appreciate your informative and very helpful answer. It's refreshing getting a direct answer about a component's sound rather than one ignoring or dodging it and advising, "why don't you try component "x-y-z" instead, or "It's entirely system dependent." And yes,'sounds natural and easy on the ears' aptly describes what I had in mind, though when I mentioned "slightly soft-edged" I was trying to distance myself from the sort of super tight/clean sound I associate with hi fi-ish sounding equipment and which is virtually non existent at live orchestral concerts...Sincere thanks once more.
Reed tonearm w/ Raven One table-how's the match ?
I soon expect to go for a Raven One, but it's tough deciding on an arm for it. Currently own an SME IV.Vi, but want easier adjustability. I'm considering the Reed 2A or 2P with cedar wood and the C37 Finewire in copper with Eichmann Copper Bullet plugs. My listening preference is mainly orchestral music.I do like a slightly soft edged, warm/dark sound and don't mind giving up a bit of top end air but wish to preserve presence from instruments at the rear of the orchestral soundstage. For any of you who have this combo,what say you? Too much warmth interfering with what I'm looking/listening for or not? I have Dynavector XV-1S and Benz Ebony LP cartridges,reasonably neutral Ear 88PB preamp,Air Tight ATM-3 amps,Dunlavy SC-4 speakers.
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- 62 posts total
- 62 posts total