Reed tonearm w/ Raven One table-how's the match ?


I soon expect to go for a Raven One, but it's tough deciding on an arm for it. Currently own an SME IV.Vi, but want easier adjustability. I'm considering the Reed 2A or 2P with cedar wood and the C37 Finewire in copper with Eichmann Copper Bullet plugs. My listening preference is mainly orchestral music.I do like a slightly soft edged, warm/dark sound and don't mind giving up a bit of top end air but wish to preserve presence from instruments at the rear of the orchestral soundstage. For any of you who have this combo,what say you? Too much warmth interfering with what I'm looking/listening for or not? I have Dynavector XV-1S and Benz Ebony LP cartridges,reasonably neutral Ear 88PB preamp,Air Tight ATM-3 amps,Dunlavy SC-4 speakers.
opus88
Jarrett, I assume your Kansui cartridge is a Miyajima.
I just heard it with Reed Cocobolo wand. Great sounding cartridge that matches better with Reed than TW Acoustic Raven arm.

If I get a second Reed arm, (may be in the next year or two, hopefully), I definitely am thinking about Red Cedar as well. I think that with Red Cedar and Cocobolo, The two should cover almost all the cartridges available that I might consider.
***I've had very good results with adjustment despite the fixed azimuth of the SME, and have been able to hit that sweet spot with some regularity by attending to other adjustments.***

Or so you think.

Without experiment you cant say with any authority that it is in fact in the quintessential sweet spot.

This isnt a confrontational statement but just a observation based on reason and deduction.

You want to BELIEVE your azimuth is perfect but you take that by faith not by proof.

As i laboured.

Todays "sweet spot" isn't "tomorrows sweet spot."

Are you open?

From one audiophile "beggar" to another...experiment with your azimuth adjustment.

Take it to the next level and remove that question mark from the equation.

Do you want to progress or do you just want to chat?
Though the headshell is fixed on my SME, I have been able to loosen the screws at the arm's base and get some limited azimuth adjustment with the arm. Resting a small, very light bubble level on the top front portion of the arm has also helped. Beyond these measures and the others already mentioned, I don't know that there's much else to rely on except my ears. I can certainly hear significant differences while in the process of making the various kinds of adjustments. Let's put it this way: I may or may not get things "perfect", but I'm typically able to get the sound to where I am very satisfied with it. Otherwise, it would be nice to have an arm that provides for greater ease of adjustment in a variety of parameters. This is one of the reasons I'm looking to acquire one that does offer such conveniences. And, it just might bring me a bit closer to that "perfect"(I really don't like that word.)sound.
Dear Vertigo, I don't think there is any such thing as "perfect" azimuth adjustment, so doing it by ear is as good as any other way, IMO. How would you define perfect azimuth adjustment, in electrical terms?
Thanks very much, Lew. You and I are in complete agreement on this. Frankly, since it is we the listeners who are trying to arrange things for our own satisfaction and not anyone else's, it makes sense adjusting by our ears must ultimately take priority.