CONUNDRUM


I'm fairly new to vinyl. In my haste to put together a fairly nice front end, I have created a mis-match between my cart, phono stage and my linestage. I have a Clearaudio Maestro cart feeding a ARC PH-7 feeding an Aesthetix Calypso. The PH-7 is over driving the Caypso with no way to reduce the output without sacrificing quality of sound. (attentuators don't work. In dropping the output, they also compromise the signal quality)) I can go to a low output MC coil cart, or change one of my preamps. I'm looking for a WARM sound with all the usual qualities one would want in a good sounding system. The MC cart seems like the way to go, but the $$ keeps piling up as it so often does in this hobby. Suggestions please.
handymann
That Maestro Cartridge has a 3.6 mv output. Do you have your PH7 set to the MM or low gain setting?

You have a great phono stage and preamp. I'd try and get a moving coli in the .5mv-1mv range. What about a Lyra Delos? Big step up in sound quality I suspect, it's not warm cartridge but it has warmth in a balanced way. Won't break the bank to much either.

You can also step up i the clearaudio line...to their moving coils. If you really want warm I'd try a koetsu. Just depends on your price what model.

What arm and table? Need to match here to.
I have a rather low end table-Clearaudio Emotion with stock arm. I heard the Concerto cart is good @ reproduction, while not emphasizing surface noise. I really need suggestions on the cartridge. You say the Koetsu?
Handymann, I think I already responded to another OP that you started about this issue. As previously mentioned, I own an ARC PH-7 and Ref 5. Jfrech's advice is ok, but the PH-7's gain output cannot be adjusted. There are no switches or knobs to do this. As I see it, your "obvious" choices are simple if you are clipping your pre: change the pre, change your phono stage,or change the cartridge.

At one time, I also owned the Maestro. It's may very well be the best MM cartridge on the market today. I'm sure you are not excited to lose it, but a carty is less expensive than a pre or phono stage.

I have two suggestions that you may want to explore for viability. I've never gone down this road, but it be may worth asking. Call Tom Tutay at Transition Audio Design in Florida and ask if he can rig: (1) some type of an attenuator to cool down the PH-7's gain without degradation of the signal to the pre; and/or (2) a SDT (step-down tranny) to reduce the output signal of the Maestro that is fed into the PH-7.

FWIW
Addendum: Tom Tutay is very solid. I used him to build a very custom impedance buffer that summed L/R channels and corrected an asymetrical loading problem. That's about as "custom" as it gets. I reiterate my suggestion to call him. Perhaps other folks who know Tom could weigh in with approbations.