Who tweaks VTF too?


I can't say why it took many years for me to suddenly arrive at this point -- although I can identify the precipitating occurance as actually being mistake I made (as I suppose is often the case with many discoveries, large and small) -- but I've recently opened my ears to the practice of tweaking VTF for each record played, to very worthwhile effect. Generally within a range of up to about +.15 above the upper limit of the cartridge manufacturer's recommended setting of 1.35g-1.5g for my medium-compliance, line-contact MC cart -- i.e., up to 1.65g or anywhere in between, depending on the record being played, in about .025g increments.

Tracking a bit heavier accentuates the lower frequencies and tames the higher ones, for records that could use more weight or solidity and/or a reduction in gleam or glare or airy-fairyness, while tracking lighter does the opposite for records that sound overly thick or could use some opening-up (within the bounds of maintaining good groovewall contact, of course -- I never even run in the bottom half of the recommended range, much less below it). This minor revelation has helped significantly to increase my listening satisfaction with records I formerly would've just chalked-up as being slightly but irretrievably problematic, whether that problem might have been a subtly annoying touch of glassiness or peakiness or lightness in the loafers.

Each recording seems to have its own sweet spot balancing control, tonality, timbre and texture (within my system context), and after doing this individual fine-tuning procedure for a few weeks I've now started to intuit appropriate setting adjustments as needed, based on a record's initial sound and my growing experience with the outcomes. So I've definitely crossed over the proverbial Rubicon regarding tracking force and no longer regard the recommended range as inviolable, or VTF generally as a set-and-forget, one-size-fits-all proposition whose 'correct' value is predetermined, to be temporarily increased only in the event that dynamic-trackability difficulties are encountered. It's another thing to be tweaked! But also one of the easiest and quickest to do (at least with my tonearm -- I guess with some others maybe not so much). Anybody out there with me on this?
zaikesman
I'll be thinking of creating tonearm remote control to incre-decrement VTF automatically:-)

Design proposal:
An electro-magnet that displaces cylindrical container filled with liquid so that the liquid moves from forward position to back and reverse giving that kind of possibility. See model bellow that could be powered by watch battery:

up up
cylindricalcontainer
down | down
m1 p m2

if m1 EMF is larger than m2 VTF decreases and increases otherwise where m1, m2 are electro-magnets and p is pivot.
Hi, Zaikesman; by adjusting vertical tracking force you are also affecting stylus rake angle (SRA). The resulting change in sound you hear is being influenced by both the changes in position of the cantilever within the cartridge body and the angle that the stylus is tracing the groove.

To get a better sense of which parameter is (perhaps) more of an influence on the sound, you might try adjusting the tonearm height to accomodate the changes in VTF. That is, keep the SRA constant by moving the tonearm up or down with changes in VTF.

And then, keep VTF constant and change SRA by adjusting tonearm height. It takes a bit of time but it's a hobby after all. :-)

Regards,
Tom
I'm surprised it took three responses to get to the SRA issue! :-) (Someone will probably take me to task shortly for running heavier than recommended.) However with only three responses total out of 90 views so far, and none of them saying yeah, I have also tried this and now do it routinely as well, the real takeway may be that I'm more of an outlier with this than I suspected.

I believe that it's the tracking force itself which affects the sound more than the SRA in this instance. The only way I have to determine this is comparing the changes in sound that I hear with adjusting the VTF against the changes I hear when adjusting only the VTA.

For now I'm leaving my VTA status-quo, although I know some audiophiles do adjust it for varying record thicknesses. In any event, I feel it's both simpler and more productive for me to play around with the tracking force by ear on a record-by-record basis and let the SRA fall where it may. (As with many audiophiles, I presume, SRA was never precisely determined in the first place and VTA was set by ear.) I humbly suggest trying doing this if you easily can, I would be interested in getting anybody's reaction.
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