Turntable advice-thorens questions


Hello! I'm looking at some of the restored Thorens units here for sale in the $1500.00 range. My question is-am I going to get the most bang for my buck by doing this or should I be looking at a new unit? Right now I have a fairly nice 2 channel system I have around $12k invested, so something that will do justice to my $$ spent.
Thanks for your advice.
mopoarnut
I have owned several VPI decks as well as many Thorens units, including a TD-124 rebuild I just completed. I would say that, in a nutshell, the VPI Classic (for example) and the Thorens TD-124 (also for example) are very different in both design concept and in sound reproduction.

VPI sells a turntable system: a deck, platter and arm as a matched set. It works very well, for the most part. I would have to say that the best single turntable I ever owned was my (gone and lamented) Aries 1. But I grew tired of the limitations regarding the unipivot JMW tonearm, although the newer and the 12" models are substantially better than my original 10" unit.

The TD-124 is a turntable project. Acquiring a TD-124 will almost certainly mean a substantial investment in time and money if you want to wring out all that the unit is capable of. First, you must match an arm and cartridge (and possibly an arm mounting system). Then there's the plinth. Motor rebuild? Almost assuredly. And then there's the strobe system, which is probably the easiest and least expensive modification. The result? A turntable that simply excels in reproduction of well recorded analog music.

Is it worth the trouble? For me, yes. I compared the TD-124 (Schick tonearm, Ortofon SPU G II) last night to a friend's fully loaded VPI TNT V (Ortofon Kontrapunkt B). While listening to a mix of music that included everything from jazz and blues to opera; the Thorens deck provided a much more palpable timbre to instruments and voices. And the Thorens didn't have or require any of the fiddly bits (rim drive, platter ring) that were deemed necessary for best performance on the VPI deck. It wasn't until we switched to jazz fusion and rock that I preferred the VPI, although in reality I believe that what I preferred was the Kontrapunkt B cartridge for these pieces.

If I had a large collection of mostly rock/pop recordings, I would probably just take the easy route and buy a Classic. But id I had a substantial investment in older recordings, classical or jazz music I believe that the old idler wheel magic has something to offer. There is a good reason why there is a robust market for used 124s and Garrard 301/401 decks.
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I saw that TD521, it was nice but still uses a factory cheapo pressed board with veneer for the frame. Would rather have this TD125 Long Base with new DC motor and thick real maple plinth.

http://www.artisanfidelity.com/Hardwood-Portfolio.html

Only thing is maybe a dust cover for it, maybe someone knows of an acrylic mfg that woul d make a custom cover of some kind. Guess it would be fine without one though, and might rather see it out in the open anyway.

I understand the 521 was dirt cheap though and would rather have it than a Rega / music hall or whatever. Bet the 521 would still sound really good though, if the electronics inside were ok.
520/521 were not that "cheap"....the build is not the 60ties(aka 124) but there was something of the Thorens "magic" in the sound.....the best "Thorens" was the EMT cross EMT 928......
Agreed. The EMT 928 which was essentially a highly optimized TD125 with better electronics, a fixed suspension and better motor with slightly different top plate was a legend in turntables.

With mucho modifications a stock TD125 can be converted to elite performance status similar to EMT. If you look at that website in the above post, they seem to recognize this and is exactly what they are up to.