Dear Tobes, the Dynavector is the Lamborgini Countach in tonearm design. You'll find both in the museum of modern art. For good reason.
Why are modern arms so ugly?
OK.......you're going to say it's subjective and you really looove the look of modern tonearms?
But the great tonearms of the Golden Age are genuinely beautiful in the way that most Ferraris are generally agreed to be beautiful.
Look at the Fidelity Research FR-64s and FR-66s? Look at the SAEC 308 series and the SAEC 407/23? Look at the Micro Seiki MA-505? Even the still audacious Dynavector DV-505/507?
But as an architect who's lifetime has revolved around aesthetics.......I am genuinely offended by the design of most modern arms. And don't give me the old chestnut....'Form follows Function' as a rational for ugliness. These current 'monsters' will never become 'Classics' no matter how many 'rave reviews' they might temporarily assemble.
But the great tonearms of the Golden Age are genuinely beautiful in the way that most Ferraris are generally agreed to be beautiful.
Look at the Fidelity Research FR-64s and FR-66s? Look at the SAEC 308 series and the SAEC 407/23? Look at the Micro Seiki MA-505? Even the still audacious Dynavector DV-505/507?
But as an architect who's lifetime has revolved around aesthetics.......I am genuinely offended by the design of most modern arms. And don't give me the old chestnut....'Form follows Function' as a rational for ugliness. These current 'monsters' will never become 'Classics' no matter how many 'rave reviews' they might temporarily assemble.
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- 166 posts total
09-24-11: Dertonarm As a piece of modern art, I can see where you're coming from - much thought has gone into the unique way it functions and the aesthetic design with its repeated circular motifs. And yes, it supposedly is a fine sounding arm. I just don't find it 'genuinely beautiful' as the OP put it. Shoot me, but aesthetically I prefer the classic simplicity of something like the Breuer. |
- 166 posts total